“But if you are a poor creature--poisoned by a wretched up-bringing in some house full of vulgar jealousies and senseless quarrels--saddled, by no choice of your own, with some loathsome sexual perversion--nagged day in and day out by an inferiority complex that makes you snap at your best friends--do not despair. He knows all about it. You are one of the poor whom He blessed. He knows what a wretched machine you are trying to drive. Keep on. Do what you can. One day He will fling it on the scrap-heap and give you a new one. And then you may astonish us all - not least yourself.”

“Die before you die, there is no chance after.”

“Now at last they were beginning Chapter One of the Great Story which no one on earth has read: which goes on for ever: in which every chapter is better than the one before.”

“Reality is harsh to the feet of shadows. But will you come?”

“It is safe to tell the pure in heart that they shall see God, for only the pure in heart want to.”

“We call a cancer bad, they would say, because it kills a man; but you might just as well call a successful surgeon bad because he kills a cancer.”

“The future is something which everyone reaches at the rate of sixty minutes an hour, whatever he does, whoever he is.”

“The more often he feels without acting, the less he will be able ever to act, and, in the long run, the less he will be able to feel.”

“I have at last come to the end of the Faerie Queene: and though I say "at last", I almost wish he had lived to write six books more as he had hoped to do — so much have I enjoyed it.”

“True humility is not thinking less of yourself; it is thinking of yourself less.”

“In speaking of this desire for our own far off country, which we find in ourselves even now, I feel a certain shyness. I am almost committing an indecency. I am trying to rip open the inconsolable secret in each one of you—the secret which hurts so much that you take your revenge on it by calling it names like Nostalgia and Romanticism and Adolescence; the secret also which pierces with such sweetness that when, in very intimate conversation, the mention of it becomes imminent, we grow awkward and affect to laugh at ourselves; the secret we cannot hide and cannot tell, though we desire to do both. We cannot tell it because it is a desire for something that has never actually appeared in our experience. We cannot hide it because our experience is constantly suggesting it, and we betray ourselves like lovers at the mention of a name. Our commonest expedient is to call it beauty and behave as if that had settled the matter. Wordsworth’s expedient was to identify it with certain moments in his own past. But all this is a cheat. If Wordsworth had gone back to those moments in the past, he would not have found the thing itself, but only the reminder of it; what he remembered would turn out to be itself a remembering. The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things—the beauty, the memory of our own past—are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshipers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited.”

“Human beings, all over the earth, have this curious idea that they ought to believe in a certain way, and can't really get rid of it.”

“It would be nice and fairly nearly true, to say that 'from that time forth, Eustace was a different boy.' To be strictly accurate, he began to be a different boy. He had relapses. There were still many days when he could be very tiresome. But most of those I shall not notice. The cure had begun.”

“When two humans have lived together for many years it usually happens that each has tones of voice and expressions of face which are almost unendurably irritating to the other. Work on that. Bring fully into the consciousness of your patient that particular lift of his mother's eyebrows which he learned to dislike in the nursery, and let him think how much he dislikes it. Let him assume that she knows how annoying it is and does it to annoy - if you know your job he will not notice the immense improbability of the assumption. And, of course, never let him suspect that he has tones and looks which similarly annoy her. As he cannot see or hear himself, this easily managed.”

“It is funny how mortals always picture us as putting things into their minds: in reality our best work is done by keeping things out.”