“Praise is the mode of love which always has some element of joy in it.”

“We can ignore even pleasure. But pain insists upon being attended to. God whispers to us in our pleasures, speaks in our conscience, but shouts in our pains: it is His megaphone to rouse a deaf world....No doubt pain as God's megaphone is a terrible instrument; it may lead to final and unrepented rebellion. But it gives the only opportunity the bad man can have for amendment. it removes the veil; it plants the flag of truth within the fortress of the rebel soul.”

“What we work out in our journals we don’t take out on family and friends.”

“If God 'foresaw' our acts, it would be very hard to understand how we could be free not to do them. But suppose god is outside and above the Time-line... You never supposed that your actions at this moment were any less free because God knows what you are doing. Well, He know your tomorrow's actions in just the same way--because He is already in tomorrow and can simply watch you. In a sense, He does not know your action till you have done it: but the moment at which you have done it is already 'NOW' for Him.”

“Nothing is yet in its true form.”

“Do you think I care if Aslan dooms me to death?” said the King. “That would be nothing, nothing at all. Would it not be better to be dead than to have this horrible fear that Aslan has come and is not like the Aslan we have believed in and longed for? It is as if the sun rose one day and were a black sun.”

“Your real, new self (which is Christ's and also yours, and yours just because it is His) will not come as long as you are looking for it. It will come when you are looking for Him. Does that sound strange? The same principle holds, you know, for more everyday matters. Even in social life, you will never make a good impression on other people until you stop thinking about what sort of impression you are making. Even in literature and art, no man who bothers about originality will ever be original whereas if you simply try to tell the truth (without caring twopence how often it has been told before) you will, nine times out of ten, become original without ever having noticed it. The principle runs through all life from top to bottom, Give up yourself, and you will find your real self. Lose your life and you will save it. Submit to death, death of your ambitions and favourite wishes every day and death of your whole body in the end submit with every fibre of your being, and you will find eternal life. Keep back nothing. Nothing that you have not given away will be really yours. Nothing in you that has not died will ever be raised from the dead. Look for yourself, and you will find in the long run only hatred, loneliness, despair, rage, ruin, and decay. But look for Christ and you will find Him, and with Him everything else thrown in.”

“We're free Narnians, Hwin and I, and I suppose, if you're running away to Narnia you want to be one too. In that case Hwin isn't your horse any longer. One might just as well say you're her human.”

“Emeth came walking forward into the open strip of grass between the bonfire and the Stable. His eyes were shining, his face was solemn, his hand was on his sword-hilt, and he carried his head high. Jill felt like crying when she looked at his face. And Jewel whispered in the King's ear, "By the Lion's Mane, I almost love this young warrior, Calormene though he be. He is worthy of a better god than Tash.”

“God, who foresaw your tribulation, has specially armed you to go through it, not without pain but without stain.”

“No interviews without appointments except between nine and ten PM on the second Saturdays.”

“Course he isn't safe. But he's good. He's the King, I tell you.”

“It may be hard for an egg to turn into a bird: it would be a jolly sight harder for a bird to learn to fly while remaining an egg. We are like eggs at present. And you cannot go on indefinitely being just an ordinary, decent egg. We must be hatched or go bad.”

“We must picture hell as a state where everyone is perpetually concerned about his own dignity and advancement, where everyone has a grievance, and where everyone lives with the deadly serious passions of envy, self-importance, and resentment.”

“Poetry most often communicates emotions, not directly, but by creating imaginatively the grounds for those emotions. It therefore communicates something more than the emotion; only by means of that something more does it communicate the emotion at all.”