“Be thou glad sleeper and thy sorrow offcast. I am the gate to all good adventure.”

“In writing. Don't use adjectives which merely tell us how you want us to feel about the thing you are describing. I mean, instead of telling us a thing was "terrible," describe it so that we'll be terrified. Don't say it was "delightful"; make us say "delightful" when we've read the description. You see, all those words (horrifying, wonderful, hideous, exquisite) are only like saying to your readers, "Please will you do my job for me."

“the Divine Nature wounds and perhaps destroys us merely by being what it is.”

“No book is really worth reading at the age of ten which is not equally – and often far more – worth reading at the age of fifty and beyond.”

“The best swordsman in the world may be disarmed by a trick that's new to him.”

“Do not look sad. We shall meet soon again." "Please, Aslan", said Lucy,"what do you call soon?" "I call all times soon" said Aslan; and instantly he was vanished away.”

“In speaking of this desire for our own far off country, which we find in ourselves even now, I feel a certain shyness. I am almost committing an indecency. I am trying to rip open the inconsolable secret in each one of you—the secret which hurts so much that you take your revenge on it by calling it names like Nostalgia and Romanticism and Adolescence; the secret also which pierces with such sweetness that when, in very intimate conversation, the mention of it becomes imminent, we grow awkward and affect to laugh at ourselves; the secret we cannot hide and cannot tell, though we desire to do both. We cannot tell it because it is a desire for something that has never actually appeared in our experience. We cannot hide it because our experience is constantly suggesting it, and we betray ourselves like lovers at the mention of a name. Our commonest expedient is to call it beauty and behave as if that had settled the matter. Wordsworth’s expedient was to identify it with certain moments in his own past. But all this is a cheat. If Wordsworth had gone back to those moments in the past, he would not have found the thing itself, but only the reminder of it; what he remembered would turn out to be itself a remembering. The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things—the beauty, the memory of our own past—are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshipers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited.”

“For pride is spiritual cancer: it eats up the very possibility of love, or contentment, or even common sense.”

“Meanwhile,' said Mr Tumnus, 'it is winter in Narnia, and has been for ever so long, and we shall both catch cold if we stand here talking in the snow. Daughter of Eve from the far land of Spare Oom where eternal summer reigns around the bright city of War Drobe, how would it be if you came and had tea with me?”

“But he always licked to get visitors alone in the billiard room and tell them stories about a mysterious lady, a foreign royalty, with whom he had driven about London. 'A devilish temper she had,' he would say. 'But she was a dem fine woman, sir, a dem fine woman.”

“We don't have a soul. We are a soul. We happen to have a body.”

“All get what they want; they do not always like it.”

“No man can be an exile if he remembers that all the world is one city.”

“Reason is the natural order of truth; but imagination is the organ of meaning.”

“When the most important things in our life happen we quite often do not know, at the moment, what is going on. A man does not always say to himself, "hullo! i'm growing up." It is only when he looks back that he realises what has happened and recognises it as what people call "growing up.”