“Paul sat back. He had used the questions and hyperawareness to do what his mother called “registering” the person. He had Kynes now—tone of voice, each detail of face and gesture.”
―
Frank Herbert
“Superb accuracy in water measurement, Jessica thought. And she noted that the walls of the meter trough held no trace of moisture after the water’s passage. The water flowed off those walls without binding tension. She saw a profound clue to Fremen technology in the simple fact: they were perfectionists.”
―
Frank Herbert
“He understood terrible purposes. They drove against all odds. They were their own necessity. Paul felt that he had been infected with terrible purpose. He did not know yet what the terrible purpose was.”
―
Frank Herbert
“Greatness is a transitory experience. It is never consistent.”
―
Frank Herbert
“What is the son but an extension of the father? —”
―
Frank Herbert
“How do we approach the study of Muad’Dib’s father? A man of surpassing warmth and surprising coldness was the Duke Leto Atreides. Yet, many facts open the way to this Duke: his abiding love for his Bene Gesserit lady; the dreams he held for his son; the devotion with which men served him. You see him there—a man snared by Destiny, a lonely figure with his light dimmed behind the glory of his son. Still, one must ask: What is the son but an extension of the father?”
―
Frank Herbert
“Sad? Nonsense! Parting with friends is a sadness. A place is only a place.” He glanced at the charts on the table. “And Arrakis is just another place.”
―
Frank Herbert
“A duke's son MUST know about poisons. It's the way of our times.”
―
Frank Herbert
“It’d be bad enough without the complication of a feudal trade culture which turns its back on most science.”
―
Frank Herbert
“spannungsbogen”—which is the self-imposed delay between desire for a thing and the act of reaching out to grasp that thing. —”
―
Frank Herbert
“Polish comes from the cities; wisdom from the desert.”
―
Frank Herbert
“To the east, the night grew a faggot of luminous grey, then seashell opalescence that dimmed the stars. There came the long, bell-tolling movement of dawn striking across a broken horizon.”
―
Frank Herbert
“we can say that Muad’Dib learned rapidly because his first training was in how to learn. And the first lesson of all was the basic trust that he could learn. It is shocking to find how many people do not believe they can learn, and how many more believe learning to be difficult. Muad’Dib knew that every experience carries its lesson. —”
―
Frank Herbert
“There is in all things a pattern that is part of our universe. It has symmetry, elegance, and grace - these qualities you find always in that the true artist captures. You can find it in the turning of the seasons, the way sand trails along a ridge, in the branch clusters of the creosote bush of the pattern of its leaves. We try to copy these patterns in our lives and in our society, seeking the rhythms, the dances, the forms that comfort. Yet, it is possible to see peril in the finding of ultimate perfection. It is clear that the ultimate pattern contains its own fixity. In such perfection, all things move towards death.”
―
Frank Herbert
“To attempt an understanding of Muad’Dib without understanding his mortal enemies, the Harkonnens, is to attempt seeing Truth without knowing Falsehood. It is the attempt to see the Light without knowing Darkness. It cannot be. —FROM “MANUAL OF MUAD’DIB” BY THE PRINCESS IRULAN”
―
Frank Herbert
