“Shield!” the old woman snapped. “You well know the weakness there! Shield your son too much, Jessica, and he’ll not grow strong enough to fulfill any destiny.”

Frank Herbert

“Be prepared to appreciate what you meet.”

Frank Herbert

“Once men turned their thinking over to machines in the hope that this would set them free. But that only permitted other men with machines to enslave them.”

Frank Herbert

“What has mood to do with it? You fight when the necessity arises—no matter the mood! Mood's a thing for cattle or making love or playing the baliset. It's not for fighting.”

Frank Herbert

“ruling class that lives as ruling classes have lived in all times while, beneath them, a semihuman mass of semislaves exists on the leavings.

Frank Herbert

“No more terrible disaster could befall your people than for them to fall into the hands of a Hero”

Frank Herbert

“The power to destroy a thing is the absolute control over it.”

Frank Herbert

“It was another of the essential ingredients that she felt her son needed: people with a goal. Such people would be easy to imbue with fervor and fanaticism. They could be wielded like a sword to win back Paul’s place for him.”

Frank Herbert

“Time could be made to serve the mind.”

Frank Herbert

“To accept a little death is worse than death itself,”

Frank Herbert

“The natural human´s an animal without a logic. Your projection of logic onto all affairs is unnatural.”

Frank Herbert

“And the price we paid was the price men have always paid for achieving a paradise in this life—we went soft, we lost our edge.”

Frank Herbert

“My father once told me that respect for truth comes close to being the basis for all morality. 'Something cannot emerge from nothing,' he said. This is profound thinking if you understand how unstable 'the truth' can be.”

Frank Herbert

“The mind can go either direction under stress—toward positive or toward negative:”

Frank Herbert

“There is in all things a pattern that is part of our universe. It has symmetry, elegance, and grace - these qualities you find always in that the true artist captures. You can find it in the turning of the seasons, the way sand trails along a ridge, in the branch clusters of the creosote bush of the pattern of its leaves. We try to copy these patterns in our lives and in our society, seeking the rhythms, the dances, the forms that comfort. Yet, it is possible to see peril in the finding of ultimate perfection. It is clear that the ultimate pattern contains its own fixity. In such perfection, all things move towards death.”

Frank Herbert


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