“I see you are an idiot, whatever else you may be...”

“Got to start by finding it, have we? Can't start by looking for it, I suppose?”

“What we work out in our journals we don’t take out on family and friends.”

“Oh, Adam’s sons, how cleverly you defend yourselves against all that might do you good!”

“The claim to equality, outside of the strictly political field, is made only by those who feel themselves to be in some way inferior.”

“What draws people to be friends is that they see the same truth. They share it.”

“Friendship ... is born at the moment when one man says to another "What! You too? I thought that no one but myself . . .” 

“As Venus within Eros does not really aim at pleasure, so Eros does not aim at happiness. We may think he does, but when he is brought to the test it proves otherwise... For it is the very mark of Eros that when he is in us we had rather share unhappiness with the Beloved than be happy on any other terms.”

“As long as what you are afraid of is something evil, you may still hope that the good may come to your rescue. But suppose you struggle through to the good and find that it is also dreadful? How if food itself turns out to be the very thing you can’t eat and home the very place you can’t live, and your very comforter the person who makes you uncomfortable. Then, indeed, there is no rescue possible: the last card has been played.”

“Virtue - even attempted virtue - brings light; indulgence brings fog.”

“It is in some ways more troublesome to track and swat an evasive wasp than to shoot, at close range, a wild elephant. But the elephant is more troublesome if you miss.”

“But who is Aslan? Do you know him?" "Well-he knows me," said Edmund. "He is the great Lion, the son of the Emperor-beyond-the-Sea, who saved me and saved Narnia.”

“Every age has its own outlook. It is specially good at seeing certain truths and specially liable to make certain mistakes. We all, therefore, need the books that will correct the characteristic mistake of our own period. And that means the old books.”

“When once a man is launched on such an adventure as this, he must bid farewell to hopes and fears, otherwise death or deliverance will both come too late to save his honor and his reason. Ho, my beauties!”

“In speaking of this desire for our own far off country, which we find in ourselves even now, I feel a certain shyness. I am almost committing an indecency. I am trying to rip open the inconsolable secret in each one of you—the secret which hurts so much that you take your revenge on it by calling it names like Nostalgia and Romanticism and Adolescence; the secret also which pierces with such sweetness that when, in very intimate conversation, the mention of it becomes imminent, we grow awkward and affect to laugh at ourselves; the secret we cannot hide and cannot tell, though we desire to do both. We cannot tell it because it is a desire for something that has never actually appeared in our experience. We cannot hide it because our experience is constantly suggesting it, and we betray ourselves like lovers at the mention of a name. Our commonest expedient is to call it beauty and behave as if that had settled the matter. Wordsworth’s expedient was to identify it with certain moments in his own past. But all this is a cheat. If Wordsworth had gone back to those moments in the past, he would not have found the thing itself, but only the reminder of it; what he remembered would turn out to be itself a remembering. The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things—the beauty, the memory of our own past—are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshipers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited.”