“Nothing wins more loyalty for a leader than an air of bravura," the Duke said. "I, therefore, cultivate an air of bravura.”
―
Frank Herbert
“Mood?” Halleck’s voice betrayed his outrage even through the shield’s filtering. “What has mood to do with it? You fight when the necessity arises—no matter the mood! Mood’s a thing for cattle or making love or playing the baliset. It’s not for fighting.”
―
Frank Herbert
“He felt the inability to grieve as a terrible flaw.”
―
Frank Herbert
“Fremenler eskilerin 'spannungsbogen' dediği bir nitelikte kusursuzlaşmıştı... yani arzuladıkları bir şeyi elde etmeye çalışmadan önce sabredebiliyorlardı.”
―
Frank Herbert
“The Fremen were supreme in that quality the ancients called “spannungsbogen”—which is the self-imposed delay between desire for a thing and the act of reaching out to grasp that thing.”
―
Frank Herbert
“you of the fact that a deaf person cannot hear. Then, what deafness may we not all possess? What senses do we lack that we cannot see and cannot hear another world all around us? What is there around us that we cannot—”
―
Frank Herbert
“I should like friendship with you ... and trust. I should like that respect for each other which grows in the breast without demand for the huddlings of sex.”
―
Frank Herbert
“If he could smell the pre-spice mass, that meant the gasses deep under the sand were nearing explosive pressure.”
―
Frank Herbert
“Piter: Ah-ah, Baron! Is it not regrettable you were unable to devise this delicious scheme by yourself?
Baron: Someday I will have you strangled, Piter.
Piter: Of a certainty, Baron. Enfin! But a kind act is never lost, eh?
Baron: Have you been chewing verite or semuta, Piter?”
―
Frank Herbert
“For now is my grief heavier than the sands of the seas, she thought. This world has emptied me of all but the oldest purpose: tomorrow's life.”
―
Frank Herbert
“Now, motivational patterns are going to be similar among all espionage agents. That is to say: there will be certain types of motivation that are similar despite differing schools or opposed aims. You will study first how to separate this element for your analysis—in the beginning, through interrogation patterns that betray the inner orientation of the interrogators; secondly, by close observation of language-thought orientation of those under analysis. You will find it fairly simple to determine the root languages of your subjects, of course, both through voice inflection and speech pattern.”
―
Frank Herbert
“I have another kind of sight. I see another kind of terrain: the available paths.
―
Frank Herbert
“The day hums sweetly when you have enough bees working for you.”
―
Frank Herbert
