“I can promise you none of these things. No sphere of usefulness; you are not needed there at all. No scope of your talents; only forgiveness for having perverted them. No atmosphere of inquiry, for I will bring you to the land not of questions but of answers, and you shall see the face of God

“Oh, Adam’s sons, how cleverly you defend yourselves against all that might do you good!”

“I have no duty to be anyone's Friend and no man in the world has a duty to be mine. No claims, no shadow of necessity. Friendship is unnecessary, like philosophy, like art, like the universe itself (for God did not need to create). It has no survival value; rather it is one of those things which give value to survival.”

“I do not think there is a demonstrative proof (like Euclid) of Christianity, nor of the existence of matter, nor of the good will and honesty of my best and oldest friends. I think all three are (except perhaps the second) far more probable than the alternatives. The case for Christianity in general is well given by Chesterton…As to why God doesn't make it demonstratively clear; are we sure that He is even interested in the kind of Theism which would be a compelled logical assent to a conclusive argument? Are we interested in it in personal matters? I demand from my friend trust in my good faith which is certain without demonstrative proof. It wouldn't be confidence at all if he waited for rigorous proof. Hang it all, the very fairy-tales embody the truth. Othello believed in Desdemona's innocence when it was proved: but that was too late. Lear believed in Cordelia's love when it was proved: but that was too late. 'His praise is lost who stays till all commend.' The magnanimity, the generosity which will trust on a reasonable probability, is required of us. But supposing one believed and was wrong after all? Why, then you would have paid the universe a compliment it doesn't deserve. Your error would even so be more interesting and important than the reality. And yet how could that be? How could an idiotic universe have produced creatures whose mere dreams are so much stronger, better, subtler than itself?”

“I thought ... that I was carried in the will of Him I love, but now I see that I walk with it. I thought that the good things He sent drew me into them as the waves lift the islands; but now I see that it is I who plunge into them with my own legs and arms, as when we go swimming. I feel as if I were living in that roofless world of [Earth] where men walk undefended beneath naked heaven. It is a delight with terror in it! One's own self to be walking from one good to another, walking beside Him as Himself may walk, not even holding hands. How has He made me so separate from Himself? How did it enter His mind to conceive such a thing? The world is so much larger than I thought. I thought we went along paths--but it seems there are no paths. The going itself is the path.”

“For in grief nothing "stays put." One keeps on emerging from a phase, but it always recurs. Round and round. Everything repeats. Am I going in circles, or dare I hope I am on a spiral? But if a spiral, am I going up or down it? How often -- will it be for always? -- how often will the vast emptiness astonish me like a complete novelty and make me say, "I never realized my loss till this moment"? The same leg is cut off time after time.”

“But I cannot tell that to this old sinner, and I cannot comfort him either; he has made himself unable to hear my voice. If I spoke to him, he would hear only growlings and roarings. Oh, Adam's son, how cleverly you defend yourself against all that might do you good!”

“We're free Narnians, Hwin and I, and I suppose, if you're running away to Narnia you want to be one too. In that case Hwin isn't your horse any longer. One might just as well say you're her human.”

“Caspian felt sure that he would hate the new Tutor, but when the new Tutor arrived about a week later he turned out to be the sort of person it is almost impossible not to like. He was the smallest, and also the fattest, man Caspian had ever seen. He had a long, silvery, pointed beard which came down to his waist, and his face, which was brown and covered with wrinkles, looked very wise, very ugly, and very kind. His voice was grave and his eyes were merry so that, until you got to now him really well, it was hard to know when he was joking and when he was serious. His name was Doctor Cornelius.”

“[The devil] always sends errors into the world in pairs--pairs of opposites. And he always encourages us to spend a lot of time thinking which is the worse. You see why, of course? He relies on your extra dislike of the one error to draw you gradually into the opposite one.”

“They have chosen cunning instead of belief. Their prison is only in their minds, yet they are in that prison; and so afraid of being taken in that they cannot be taken out.”

“No great wisdom can be reached without sacrifice.”

“But how can the characters in a play guess the plot? We are not the playwright, we are not the producer, we are not even the audience. We are on the stage. To play well the scenes in which we are "on" concerns us much more than to guess about the scenes that follow it.”

“You can begin as if nothing had ever gone wrong. White as snow.”

“Readers are advised to remember the devil is a liar.”