“When your opponent fears you, then’s the moment when you give the fear its own rein, give it the time to work on him. Let it become terror. The terrified man fights himself. Eventually, he attacks in desperation. That is the most dangerous moment, but the terrified man can be trusted usually to make a fatal mistake. You are being trained here to detect these mistakes and use them.”
―
Frank Herbert
“Riots and comedy are but symptoms of the times, profoundly revealing. They betray the psychological tone, the deep uncertainties…and the striving for something better, plus the fear that nothing would come of it all.”
―
Frank Herbert
“Maud’Dib could indeed, see the Future, but you must understand the limits of this power. Think of sight. You have eyes, yet cannot see without light. If you are on the floor of a valley, you cannot see beyond the valley. Just so, Maud’Dib could not always choose to look across the mysterious terrain. He tells us that a single obscure decision of prophecy, perhaps the choice of one word over another, could change the entire aspect of the future. He tells us “The vision of time is broad, but when you pass through it, time becomes a narrow door.” And always, he fought the temptation to choose a clear, safe course, warning “That path leads ever down into stagnation.”
―
Frank Herbert
“One of the most terrible moments in a boy’s life,” Paul said, “is when he discovers his father and mother are human beings who share a love that he can never quite taste. It’s a loss, an awakening to the fact that the world is there and here and we are in it alone. The moment carries its own truth; you can’t evade it. I heard my father when he spoke of my mother. She’s not the betrayer, Gurney.”
―
Frank Herbert
“There is in all things a pattern that is part of our universe. It has symmetry, elegance, and grace - these qualities you find always in that the true artist captures. You can find it in the turning of the seasons, the way sand trails along a ridge, in the branch clusters of the creosote bush of the pattern of its leaves. We try to copy these patterns in our lives and in our society, seeking the rhythms, the dances, the forms that comfort. Yet, it is possible to see peril in the finding of ultimate perfection. It is clear that the ultimate pattern contains its own fixity. In such perfection, all things move towards death.”
―
Frank Herbert
“Paul crouched at the ready and, as he had been trained to do after first blood, called out: “Do you yield?”
―
Frank Herbert
“Mood?” Halleck’s voice betrayed his outrage even through the shield’s filtering. “What has mood to do with it? You fight when the necessity arises—no matter the mood! Mood’s a thing for cattle or making love or playing the baliset. It’s not for fighting.”
―
Frank Herbert
“Ah, Hah! But you see, Baron, I know as a Mentat when you will send the executioner. You will hold back just so long as I am useful. To move sooner would be wasteful and I'm yet of much use. I know what it is you learned from that lovely Dune planet - waste not? True, Baron?
―
Frank Herbert
“When you imagine mistakes, there can be no self-defense.”
―
Frank Herbert
“A good ruler has to learn his world's language, and that's different for every world, the language you don't hear just with your ears.”
―
Frank Herbert
“Survival is the ability to swim in strange water.”
―
Frank Herbert
“Can you remember your first taste of spice?” “It tasted like cinnamon.”
―
Frank Herbert
“Paul took a place in the line behind Chani. He had put down the black feeling at being caught by the girl. In his mind now was the memory called up by his mother’s barked reminder: “My son’s been tested with the gom jabbar!” He found that his hand tingled with remembered pain.”
―
Frank Herbert
“Your own emperor bestowed Arrakis on House Atreides. I am House Atreides.” The”
―
Frank Herbert
