“There is in all things a pattern that is part of our universe. It has symmetry, elegance, and grace - these qualities you find always in that the true artist captures. You can find it in the turning of the seasons, the way sand trails along a ridge, in the branch clusters of the creosote bush of the pattern of its leaves. We try to copy these patterns in our lives and in our society, seeking the rhythms, the dances, the forms that comfort. Yet, it is possible to see peril in the finding of ultimate perfection. It is clear that the ultimate pattern contains its own fixity. In such perfection, all things move towards death.”

― Frank Herbert

“I should like friendship with you ... and trust. I should like that respect for each other which grows in the breast without demand for the huddlings of sex.”

― Frank Herbert

“A world is supported by four things….” She held up four big-knuckled fingers. “…the learning of the wise, the justice of the great, the prayers of the righteous and the valor of the brave. But all of these are as nothing….” She closed her fingers into a fist. “…without a ruler who knows the art of ruling. Make that the science of your tradition!”

― Frank Herbert

“When religion and politics travel in the same cart, the riders believe nothing can stand in their way. Their movements become headlong - faster and faster and faster. They put aside all thoughts of obstacles and forget the precipice does not show itself to the man in a blind rush until it's too late.”

― Frank Herbert

“God created Arrakis to train the faithful.”

― Frank Herbert

“She had quoted a Bene Gesserit proverb to him: “When religion and politics travel in the same cart, the riders believe nothing can stand in their way. Their movement becomes headlong—faster and faster and faster. They put aside all thought of obstacles and forget that a precipice does not show itself to the man in a blind rush until it’s too late.” Paul”

― Frank Herbert

“His voice was low, charged with unspeakable adjectives.”

― Frank Herbert

“The universe is full of doors,”

― Frank Herbert

“It supports a ruling class that lives as ruling classes have lived in all times while, beneath them, a semihuman mass of semislaves exists on the leavings…”

― Frank Herbert

“Paul crouched at the ready and, as he had been trained to do after first blood, called out: “Do you yield?”

― Frank Herbert

“What a dolt my father sends me for weaponry,” Paul intoned. “This doltish Gurney Halleck has forgotten the first lesson for a fighting man armed and shielded.” Paul snapped the force button at his waist, felt the crinkled-skin tingling of the defensive field at his forehead and down his back, heard external sounds take on characteristic shield-filtered flatness. “In shield fighting, one moves fast on defense, slow on attack,” Paul said. “Attack has the sole purpose of tricking the opponent into a misstep, setting him up for the attack sinister. The shield turns the fast blow, admits the slow kindjal!” Paul snapped up the rapier, feinted fast and whipped it back for a slow thrust timed to enter a shield’s mindless defenses.”

― Frank Herbert

“There's coffee for those who want it,' the Duke said.”

― Frank Herbert

“the drowning man who climbs on your shoulders to save himself is understandable—except when you see it happen in the drawing room.”

― Frank Herbert

“How the mind gears itself for its environment, she thought. And she recalled a Bene Gesserit axiom: “The mind can go either direction under stress—toward positive or toward negative: on or off. Think of it as a spectrum whose extremes are unconsciousness at the negative end and hyperconsciousness at the positive end. The way the mind will lean under stress is strongly influenced by training.”

― Frank Herbert

“Whirling silence settled around Jessica. Every fiber of her body accepted the fact that something profound had happened to it. She felt that she was a conscious mote, smaller than any subatomic particle, yet capable of motion and of sensing her surroundings. Like an abrupt revelation—the curtains whipped away—she realized she had become aware of a psychokinesthetic extension of herself. She was the mote, yet not the mote.”

― Frank Herbert


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