“The doctrine of Christ, which teaches love, humility, and self-denial, had always attracted
me. But I found a contrary law, both in the history of the past and in the present organization of
our lives – a law repugnant to my heart, my conscience, and my reason, but one that flattered
my animal instincts. I knew that if I accepted the doctrine of Christ, I should be forsaken,
miserable, persecuted, and sorrowing, as Christ tells us His followers will be. I knew that if I
accepted that law of man, I should have the approbation of my fellow-men; I should be at
peace and in safety; all possible sophisms would be at hand to quiet my conscience and I
should ‘laugh and be merry,’ as Christ says. I felt this, and therefore I avoided a closer
examination of the law of Christ, and tried to comprehend it in a way that should not prevent
my still leading my animal life. But, finding that impossible, I desisted from all attempts at
comprehension.”
―
Leo Tolstoy
“Formerly, when I was told to consider him wise, I kept trying to, and thought I was stupid
myself because I was unable to perceive his wisdom; but as soon as I said to myself, he's
stupid (only in a whisper of course), it all became quite clear! Don't you think so?'
'How malicious you are to-day!'
'Not at all. I have no choice. One of us is stupid, and you know it's impossible to say so of
oneself.
―
Leo Tolstoy
“Now one often saw only her face and body, while her soul was not seen at all.”
―
Leo Tolstoy
“after the murder of the duc there was one martyr more in heaven and one hero less on
earth”
―
Leo Tolstoy
“Everyone thinks of changing the world, but no one thinks of changing himself.”
―
Leo Tolstoy
“Happiness does not depend on outward things, but on the way we see them.”
―
Leo Tolstoy
“A good player who loses at chess is genuinely convinced hat he has lost because of a
mistake, and he looks for this mistake in the beginning of his game, but forgets that there were
also mistakes at ever step in the course of the game, that none of his moves was perfect. The
mistake he pays attention to is conspicuous only because his opponent took advantage of it.”
―
Leo Tolstoy
“As long as he followed the fixed definition of obscure words such as spirit, will, freedom,
essence, purposely letting himself go into the snare of words the philosophers set for him, he
seemed to comprehend something. But he had only to forget the artificial train of reasoning,
and to turn from life itself to what had satisfied him while thinking in accordance with the fixed
definitions, and all this artificial edifice fell to pieces at once like a house of cards, and it
became clear that the edifice had been built up out of those transposed words, apart from
anything in life more important than reason.”
―
Leo Tolstoy
“Ambition was the old dream of his youth and childhood, a dream which he did not confess
even to himself, though it was so strong that now his passion was even doing battle with his
love”
―
Leo Tolstoy
“The very nastiest and coarsest, I can't tell you. It is not grief, not dullness, but much worse.
It is as if all that was good in me had hidden itself, and only what is horrid remains.
―
Leo Tolstoy
“The feelings resembled memories; but memories of what? Apparently one can remember
things that have never happened.”
―
Leo Tolstoy
“Just as a painter needs light in order to put the finishing touches to his picture, so I need
an inner light, which I feel I never have enough of in the autumn.”
―
Leo Tolstoy
“either you are so underdeveloped that you can't see all that you can do, or you won't
sacrifice your ease, your vanity, or whatever it is, to do it...”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
