"Not a word, not a movement of yours will I ever forget, nor can I...”
―
Leo Tolstoy
“The march of humanity, springing as it does from an infinite multitude of individual wills, is
continuous.”
―
Leo Tolstoy
“And for him, who lived in a certain circle, and who required some mental activity such as
usually develops with maturity, having views was as necessary as having a hat.”
―
Leo Tolstoy
“He knew that Vronsky could not be prevented from amusing himself with painting; he knew
that he and all dilettanti had a perfect right to paint what they liked, but it was distasteful to
him. A man could not be prevented from making himself a big wax doll, and kissing it. But if
the man were to come with the doll and sit before a man in love, and began caressing his doll
as the lover caressed the woman he loved, it would be distasteful to the lover. Just such a
distasteful sensation was what Mihailov felt at the sight of Vronsky’s painting: he felt it both
ludicrous and irritating, both pitiable and offensive.”
―
Leo Tolstoy
“He disliked contradiction, and still more, arguments that were continually skipping from one
thing to another, introducing new and disconnected points, so that there was no knowing to
which to reply.
―
Leo Tolstoy
“Her eyes, always sad, now looked into the mirror with particular hopelessness. "She's
flattering me," thought the princess, and she turned away and went on reading. Julie, however,
was not flattering her friend: indeed, the princess's eyes, large, deep, and luminous
(sometimes it was as if rays of light came from them in sheaves), were so beautiful that very
often, despite the unattractiveness of the whole face, those eyes were more attractive than
beauty. But the princess had never seen the good expression of thise eyes, the expression
they had in moments when she was not thinking of herself. As with all people, the moment she
looked in the mirror, her face assumed a strained, unnatural, bad expression.”
―
Leo Tolstoy
“This was his acknowledgment of the impossibility of changing a man's convictions by
words, and his recognition of the possibility of everyone thinking, feeling, and seeing things
each from his own point of view. This legitimate peculiarity of each individual which used to
excite and irritate Pierre now became a basis of the sympathy he felt for, and the interest he
took in, other people. The difference, and sometimes complete contradiction, between men's
opinions and their lives, and between one man and another, pleased him and drew from him
an amused and gentle smile.
―
Leo Tolstoy
“Music makes me forget myself, my real position; it transports me to some other position
not my own. Under the influence of music it seems to me that I feel what I do not really feel,
that I understand what I do not understand, that I can do what I cannot do. I explain it by the
fact that music acts like yawning, like laughter: I am not sleepy, but I yawn when I see
someone yawning; there is nothing for me to laugh at, but I laugh when I hear people
laughing.
Music carries me immediately and directly into the mental condition in which the man was who
composed it. My soul merges with his and together with him I pass from one condition into
another, but why this happens I don't know.”
―
Leo Tolstoy
“You say: I am not free. But I have raised and lowered my arm. Everyone understands that
this illogical answer is an irrefutable proof of freedom.”
―
Leo Tolstoy
“Only during a period of war does it become obvious how millions of people can be
manipulated. People, millions of people, are filled with pride while doing things which those
same people actually consider stupid, evil, dangerous, painful, and criminal, and they strongly
criticize these things—but continue doing them.”
―
Leo Tolstoy
“Pierre had for the first time experienced that strange and fascinating feeling in the
Slobodsky palace, when he suddenly felt that wealth and power and life, all that men build up
and guard with such effort ,is only worth anything through the joy with which it can all be cast
away.”
―
Leo Tolstoy
“He meditated on the use to which he should put all the energy of youth which comes to a
man only once in life. Should he devote this power, which is not the strength of intellect or
heart or education, but an urge which once spent can never return, the power given to a man
once only to make himself, or even – so it seems to him at the time – the universe into
anything he wishes: should he devote it to art, to science, to love, or to practical activities?
True, there are people who never have this urge: at the outset of life they place their necks
under the first yoke that offers itself, and soberly toil away in it to the end of their days.”
―
Leo Tolstoy
“To improve ourselves, to move toward that goal, perfection, that puts no less a demand on
us for being unattainable, requires solitude, removal from the concerns of everyday life. And
yet constant solitude renders self-improvement impossible, if not pointless. A balance must be
struck between meditating in solitude and then applying this to your everyday life.”
―
Leo Tolstoy
“I shall go on in the same way, losing my temper...there will be still the same wall between
the holy of holies of my soul and other people...but my life now, my whole life apart from
anything that can happen to me, every minute of it is no more meaningless, as it was before,
but it has the positive meaning of goodness, which I have the power to put into it.”
―
Leo Tolstoy
“These loaves, pigeons, and two little boys seemed unearthly. It all happened at the same
time: a little boy ran over to a pigeon, glancing over at Levin with a smile; the pigeon flapped
its wings and fluttered, gleaming in the sunshine among the snowdust quivering in the air,
while the smell of freshly baked bread was wafted out of a little window as the loaves were put
out. All this together was so extraordinarily wonderful that Levin burst out laughing and crying
for joy.”
―
Leo Tolstoy
