“Faith is neither hope nor trust, but a particular spiritual state. Faith is man’s awareness that
his position in the world obliges him to perform certain actions. A person acts according to his
faith, not as the catechism says because he believes in things unseen as in things seen, nor
because he wishes to achieve things hoped for, but simply because having defined his
position in the world it is natural for him to act according to it.”
―
Leo Tolstoy
“To every administrator, in peaceful, unstormy times, it seems that the entire population
entrusted to him moves only by his efforts, and in this consciousness of his necessity every
administrator finds the chief rewards for his labors and efforts. It is understandable that, as
long as the historical sea is calm, it must seem to the ruler-administrator in his frail little bark,
resting his pole against the ship of the people and moving along with it, that his efforts are
moving the ship. But once a storm arises, the sea churns up, and the ship begins to move my
itself, and then the delusion is no longer possible. The ship follows its own enormous,
independent course, the pole does not reach the moving ship, and the ruler suddenly, from his
position of power, from being a source of strength, becomes an insignificant, useless, and
feeble human being.”
―
Leo Tolstoy
“In spite of death, he felt the need of life and love. He felt that love saved him from despair,
and that this love, under the menace of despair, had become still stronger and purer. The one
mystery of death, still unsolved, had scarcely passed before his eyes, when another mystery
had arisen, as insoluble, urging him to love and to life.”
―
Leo Tolstoy
He felt like a man who, after straining his eyes to peer into the remote distance, finds what
he was seeking at his very feet. All his life he had been looking over the heads of those
around him, while he had only to look before him without straining his eyes.”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
“This history of culture will explain to us the motives, the conditions of life, and the thought
of the writer or reformer. ”
―
Leo Tolstoy
“This child, with his naive outlook on life was the compass which showed them the degree
of their departure from what they knew but did not want to know.”
―
Leo Tolstoy
“Therefore, all these causes-billions of causes-coincided so as to bring about what
happened. And consequently none of them was the exclusive cause of the event, but the
event had to take place simply because it had to take place.”
―
Leo Tolstoy
“Just imagine the existence of a man - let us call him A - who has left youth far behind, and
of a woman whom we may call B, who is young and happy and has seen nothing as yet of life
or of the world. Family circumstances of various kinds brought them together, and he grew to
love her as a daughter, and had no fear that his love would change its nature. But he forgot
that B was so young, that life was still a May-game to her and that it was easy to fall in love
with her in a different way, and that this would amuse her. He made a mistake and was
suddenly aware of another feeling, as heavy as remorse, making its way into his heart, and he
was afraid. He was afraid that their old friendly relations would be destroyed, and he made up
his mind to go away before that happened.”
―
Leo Tolstoy
“They say: sufferings are misfortunes," said Pierre. 'But if at once this minute, I was asked,
would I remain what I was before I was taken prisoner, or go through it all again, I should say,
for God's sake let me rather be a prisoner and eat horseflesh again. We imagine that as soon
as we are torn out of our habitual path all is over, but it is only the beginning of something new
and good. As long as there is life, there is happiness. There is a great deal, a great deal
before us.”
―
Leo Tolstoy
“Anna had been preparing herself for this meeting, had thought what she would say to him,
but she did not succeed in saying anything of it; his passion mastered her. She tried to calm
him, to calm herself, but it was too late. His feeling infected her. Her lips trembled so that for a
long while she could say nothing."
"Yes, you have conquered me, and I am yours," she said at last, pressing his hands to her
bosom.
"So it had to be," he said. "So long as we live, it must be so. I know it now.”
―
Leo Tolstoy
“If everyone fought only for his own convictions, there would be no wars.”
―
Leo Tolstoy
“Stepan Arkadyich smiled. He knew so well this feeling of Levin's, knew that for him all the
girls in the world were divided into two sorts: one sort was all the girls in the world except her,
and these girls had all human weaknesses and were very ordinary girls; the other sort was her
alone, with no weaknesses and higher than everything human.”
―
Leo Tolstoy
“He knew that Vronsky could not be prevented from amusing himself with painting; he knew
that he and all dilettanti had a perfect right to paint what they liked, but it was distasteful to
him. A man could not be prevented from making himself a big wax doll, and kissing it. But if
the man were to come with the doll and sit before a man in love, and began caressing his doll
as the lover caressed the woman he loved, it would be distasteful to the lover. Just such a
distasteful sensation was what Mihailov felt at the sight of Vronsky’s painting: he felt it both
ludicrous and irritating, both pitiable and offensive.”
―
Leo Tolstoy
