“But perhaps it is always so, that men form their conceptions from fictitious, conventional types, and then—all the combinations made—they are tired of the fictitious figures and begin to invent more natural, true figures.”

Leo Tolstoy

“The Bible legend tells us that the absence of toil - idleness - was a condition of the first man's state of bliss before the Fall. This love of idleness has remained the same in the fallen man, but the curse still lies heavy on the human race....because our moral nature is such that we are unable to be idle and at peace.”

Leo Tolstoy

“He was in a fairy kingdom where everything was possible. He looked up at the sky. And the sky was a fairy realm like the earth. It was clearing, and over the tops of the trees clouds were swiftly sailing as if unveiling the stars.”

Leo Tolstoy

“Can it be that I have not lived as one ought?" suddenly came into his head. "But how not so, when I've done everything as it should be done?”

Leo Tolstoy

“I was wrong when I said that I did not regret the past. I do regret it; I weep for the past love which can never return. Who is to blame, I do not know. Love remains, but not the old love; its place remains, but it is all wasted away and has lost all strength and substance; recollections are still left, and gratitude; but...”

Leo Tolstoy

“She saw that they felt themselves alone in that crowded room. And Vronsky’s face, always so firm and independent, held that look that had struck her, of bewilderment and humble submissiveness, like the expression of an intelligent dog when it has done wrong. Anna smiled, and her smile was reflected by him. She grew thoughtful, and he became serious. Some supernatural force drew Kitty’s eyes to Anna’s face. She was enchanting in her simple black dress, enchanting were her round arms with their bracelets, enchanting was her firm neck with its thread of pearls, fascinating the straying curls of her loose hair, enchanting the graceful, light movements of her little feet and hands, enchanting was that lovely face in its animation, but there was something terrible and cruel about her charm.”

Leo Tolstoy

“But every acquisition that is disproportionate to the labor spent on it is dishonest.”

Leo Tolstoy

“Drama, instead of telling us the whole of a man's life, must place him in such a situation, tie such a knot, that when it is untied, the whole man is visible.”

Leo Tolstoy

“[...most men do not try] to recognize the truth, but to persuade themselves that the life they are leading, which is what they like and are used to, is a life perfectly consistent with truth.”

Leo Tolstoy

“In order to understand, observe, deduce, man must first be conscious of himself as alive

Leo Tolstoy

“No hay felicidad en la existencia, no hay más que relámpagos de felicidad.”

Leo Tolstoy

“The acquisition by dishonest means and cunning,' said Levin, feeling that he was incapable of clearly defining the borderline between honesty and dishonesty. 'Like the profits made by banks,' he went on. 'This is evil, I mean, the acquisition of enormous fortunes without work, as it used to be with the spirit monopolists. Only the form has changed. Le roi est mort, vive le roi! Hardly were the monopolies abolished before railways and banks appeared: just another way of making money without work.”

Leo Tolstoy

“Everything I know, I know because of love”

Leo Tolstoy

“If only [people] understood that every thought is both false and true! False by one- sidenedness resulting from man's inability to embrace the whole truth, and true as an expression of one fact of human endeavor.”

Leo Tolstoy

“There is an old Eastern fable about a traveler who is taken unawares on the steppes by a ferocious wild animal. In order to escape the beast the traveler hides in an empty well, but at the bottom of the well he sees a dragon with its jaws open, ready to devour him. The poor fellow does not dare to climb out because he is afraid of being eaten by the rapacious beast, neither does he dare drop to the bottom of the well for fear of being eaten by the dragon. So he seizes hold of a branch of a bush that is growing in the crevices of the well and clings on to it. His arms grow weak and he knows that he will soon have to resign himself to the death that awaits him on either side. Yet he still clings on, and while he is holding on to the branch he looks around and sees that two mice, one black and one white, are steadily working their way round the bush he is hanging from, gnawing away at it. Sooner or later they will eat through it and the branch will snap, and he will fall into the jaws of the dragon. The traveler sees this and knows that he will inevitably perish. But while he is still hanging there he sees some drops of honey on the leaves of the bush, stretches out his tongue and licks them. In the same way I am clinging to the tree of life, knowing full well that the dragon of death inevitably awaits me, ready to tear me to pieces, and I cannot understand how I have fallen into this torment. And Itry licking the honey that once consoled me, but it no longer gives me pleasure. The white mouse and the black mouse – day and night – are gnawing at the branch from which I am hanging. I can see the dragon clearly and the honey no longer tastes sweet. I can see only one thing; the inescapable dragon and the mice, and I cannot tear my eyes away from them. And this is no fable but the truth, the truth that is irrefutable and intelligible to everyone.

Leo Tolstoy


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