“Everyone wants to change humanity, but no one is willing to change themselves.”

Leo Tolstoy

“Stepan Arkadyevitch took in and read a liberal paper, not an extreme one, but one advocating the views held by the majority. And in spite of the fact that science, art, and politics had no special interest for him, he firmly held those views on all these subjects which were held by the majority and by his paper, and he only changed them when the majority changed them—or, more strictly speaking, he did not change them, but they imperceptibly changed of themselves within him.

Leo Tolstoy

“To evoke in oneself a feeling one has once experienced, and having evoked it in oneself, then by means of movements, lines, colors, sounds, or forms expressed in words, so to transmit that feeling that others may experience the same feeling - this is the activity of art.”

Leo Tolstoy

“nothing has contributed so much to the obscuring of Christian truth in the eyes of the heathen, and has hindered so much the diffusion of Christianity through the world, as the disregard of [non-resistance] by men calling themselves Christians, and the permission of war and violence to Christians.

Leo Tolstoy

“God knows of love”

Leo Tolstoy

“That only shows you have no heart,’ she said. But her eyes said that she knew he had a heart, and that was why she was afraid of him”

Leo Tolstoy

“Many people have ideas on how others should change; few people have ideas on how they should change. ”

Leo Tolstoy

“I don't think anything," she said, "but I always loved you, and if one loves anyone, one loves the whole person, just as they are and not as one would like them to be....”

Leo Tolstoy

“the superfluity of the comforts of like destroys all joy in satisfying one's needs, while great freedom in the choice of occupation...is just what makes the choice of occupation insoluble difficult and destroys the need and even the possibility of having an occupation.”

Leo Tolstoy

“Music makes me forget myself, my real position; it transports me to some other position not my own. Under the influence of music it seems to me that I feel what I do not really feel, that I understand what I do not understand, that I can do what I cannot do. I explain it by the fact that music acts like yawning, like laughter: I am not sleepy, but I yawn when I see someone yawning; there is nothing for me to laugh at, but I laugh when I hear people laughing. Music carries me immediately and directly into the mental condition in which the man was who composed it. My soul merges with his and together with him I pass from one condition into another, but why this happens I don't know.”

Leo Tolstoy

“Drama, instead of telling us the whole of a man's life, must place him in such a situation, tie such a knot, that when it is untied, the whole man is visible.”

Leo Tolstoy

“We exchanged disagreeable remarks. The impression of this first quarrel was terrible. I say quarrel, but the term is inexact. It was the sudden discovery of the abyss that had been dug between us.”

Leo Tolstoy

“I think that in order to know love one must make a mistake and then correct it.”

Leo Tolstoy

“Pierre’s heart thrilled to these words as he gazed with shining eyes into the mason’s face. He listened without interrupting or asking any questions, and with all his soul he believed what this stranger was saying to him. Whether he was believing rational arguments coming from the mason, or trusting more like a child in the persuasive intonation, the sense of authority, the sincerity of the words spoken, the quavering voice that sometimes seemed on the verge of breaking down, or the gleaming aged eyes grown old in that conviction, or the tranquillity, the certainty and true sense of vocation radiating from the old man’s whole being and striking Pierre very forcibly, given the state of his own debasement and despair – whatever was happening to him, he longed to believe with all his soul, and he did believe and he felt a joyful sense of calm, renewal and return to life.”

Leo Tolstoy

“In historical events great men-so called-are but the labels that serve to give a mane to an event, and like labels, they have the last possible connection with the event itself. Every action of theirs, that seems to them an act of their own free will, is in an historical sense not free at all, but in bondage to the whole course of previous history, and predestined from all eternity.”

Leo Tolstoy


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