“A good player who loses at chess is genuinely convinced hat he has lost because of a mistake, and he looks for this mistake in the beginning of his game, but forgets that there were also mistakes at ever step in the course of the game, that none of his moves was perfect. The mistake he pays attention to is conspicuous only because his opponent took advantage of it.”

Leo Tolstoy

“We are forced to fall back on fatalism as an explanation of irrational events (that is to say, events the reasonableness of which we do not understand).”

Leo Tolstoy

“She had no need to ask why he had come. She knew as certainly as if he had told her that he was here to be where she was.”

Leo Tolstoy

“He walked down, for a long while avoiding looking at her as at the sun, but seeing her, as one does the sun, without looking.”

Leo Tolstoy

“Anything is better than lies and deceit!

Leo Tolstoy

“Each time of life has its own kind of love.”

Leo Tolstoy

“There is only one real knowledge: that which helps us to be free. Every other type of knowledge is mere amusement. —VISHNU PURANA,”

Leo Tolstoy

“It's like scarlet fever: one has to get it over." "Then one should invent a way of inoculating love, like vaccination.”

Leo Tolstoy

“I'll come some day," he said. "But women, my boy, they're the pivot everything turns upon. Things are in a bad way with me, very bad. And it's all through women. Tell me frankly now," he pursued, picking up a cigar and keeping one hand on his glass; "give me your advice.”

Leo Tolstoy

“Even the strongest current of water cannot add a drop to a cup which is already full. The most difficult subjects can be explained to the most slow-witted man if he has not formed any idea of them already; but the simplest thing cannot be made clear to the most intelligent man if he is firmly persuaded that he knows already, without a shadow of doubt, what is laid before him.”

Leo Tolstoy

“She was utterly unlike what she had been when he first saw her. Both morally and physically she had changed for the worse. [...] He looked at her as a man looks at a faded flower he has gathered, with difficulty recognizing in it the beauty for which he picked and ruined it.”

Leo Tolstoy

“There are two aspects," Alexey Alexandrovitch resumed: "those who take part and those who look on; and love for such spectacles is an unmistakable proof of a low degree of development in the spectator, I admit, but . . .”

Leo Tolstoy

“Music makes me forget myself, my real position; it transports me to some other position not my own. Under the influence of music it seems to me that I feel what I do not really feel, that I understand what I do not understand, that I can do what I cannot do. I explain it by the fact that music acts like yawning, like laughter: I am not sleepy, but I yawn when I see someone yawning; there is nothing for me to laugh at, but I laugh when I hear people laughing. Music carries me immediately and directly into the mental condition in which the man was who composed it. My soul merges with his and together with him I pass from one condition into another, but why this happens I don't know.”

Leo Tolstoy

“either you are so underdeveloped that you can't see all that you can do, or you won't sacrifice your ease, your vanity, or whatever it is, to do it...”

Leo Tolstoy

“So you see,' said Stepan Arkadyich, 'you're a very wholesome man. That is your virtue and your defect. You have a wholesome character, and you want all of life to be made up of wholesome phenomena, but that doesn't happen. So you despise the activity of public service because you want things always to correspond to their aim, and that doesn't happen. You also want the activity of the individual man always to have an aim, that love and family life always be one. And that doesn't happen. All the variety, all the charm, all the beauty of life are made up of light and shade.”

Leo Tolstoy


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