“Music makes me forget my real situation. It transports me into a state which is not my own.
Under the influence of music I really seem to feel what I do not feel, to understand what I do
not understand, to have powers which I cannot have. Music seems to me to act like yawning
or laughter; I have no desire to sleep, but I yawn when I see others yawn; with no reason to
laugh, I laugh when I hear others laugh. And music transports me immediately into the
condition of soul in which he who wrote the music found himself at that time. ~The Kreutzer
Sonata”
―
Leo Tolstoy
“He sought his former accustomed fear of death and did not find it. "Where is it? What
death?" There was no fear because there was no death.
In place of death there was light.”
―
Leo Tolstoy
“This child, with his naive outlook on life was the compass which showed them the degree
of their departure from what they knew but did not want to know.”
―
Leo Tolstoy
“If so many men, so many minds, certainly so many hearts, so many kinds of love.”
―
Leo Tolstoy
“The most difficult subjects can be explained to the most slow-witted man if he has not
formed any idea of them already; but the simplest thing cannot be made clear to the most
intelligent man if he is firmly persuaded that he knows already, without a shadow of doubt,
what is laid before him.”
―
Leo Tolstoy
“Why do you need to be like anyone? You're good as you are,”
―
Leo Tolstoy
“I am always with myself, and it is I who am my tormentor.”
―
Leo Tolstoy
“the very fact of the death of someone close to them aroused in all who heard about it, as
always, a feeling of delight that he had died and they hadn't.”
―
Leo Tolstoy
“The difference between what he had been then and what he now was, was
enormous...Then he was free and fearless...now he felt himself caught in the meshes of a
stupid, empty, valueless, frivolous life...He remembered how proud he was at one time of his
straightforwardness, how he had made a rule of always speaking the truth...and he was now
sunk deep in lies...lies considered as truth by all who surrounded him.”
―
Leo Tolstoy
“Never, never marry, my friend. Here’s my advice to you: don’t marry until you can tell
yourself that you’ve done all you could, and until you’ve stopped loving the woman you’ve
chosen, until you see her clearly, otherwise you’ll be cruelly and irremediably mistaken. Marry
when you’re old and good for nothing...Otherwise all that’s good and lofty in you will be lost.”
―
Leo Tolstoy
“All the variety, all the charm, all the beauty of life is made up of light and shadow.”
―
Leo Tolstoy
“Death, the inevitable end of everything, confronted him for the first time with irresistible
force. And that Death which was present in this dear brother (who, waking up, moaned and by
habit called indiscriminately on God and on the devil) was not so far away as it hitherto
seemed to be. It was within himself to- he felt it. If not today, then tomorrow or thirty years
hence, was it not all the same? But what that inevitable Death was, he not only did not know,
not only had never considered, but could not and dared not consider.”
―
Leo Tolstoy
“And those who only know the non-platonic love have no need to talk of tragedy. In such
love there can be no sort of tragedy.”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
“There are two aspects," Alexey Alexandrovitch resumed: "those who take part and those
who look on; and love for such spectacles is an unmistakable proof of a low degree of
development in the spectator, I admit, but . . .”
―
Leo Tolstoy
