“Music makes me forget myself, my real position; it transports me to some other position
not my own. Under the influence of music it seems to me that I feel what I do not really feel,
that I understand what I do not understand, that I can do what I cannot do. I explain it by the
fact that music acts like yawning, like laughter: I am not sleepy, but I yawn when I see
someone yawning; there is nothing for me to laugh at, but I laugh when I hear people
laughing.
Music carries me immediately and directly into the mental condition in which the man was who
composed it. My soul merges with his and together with him I pass from one condition into
another, but why this happens I don't know.”
―
Leo Tolstoy
“Between Countess Nordston and Levin there had been established those relations, not
infrequent in society, in which two persons, while ostensibly remaining on friendly terms, are
contemptuous of each other to such a degree that they cannot even treat each other seriously
and cannot even insult each one another.”
―
Leo Tolstoy
“He went down trying not to look long at her, as though she were the sun, but he saw her, as
one sees the sun, without looking.”
―
Leo Tolstoy
“Nothing but ambition, nothing but the desire to get on, that's all there is in his soul," she
thought; "as for these lofty ideals, love of culture, religion, they are only so many tools for
getting on.”
―
Leo Tolstoy
“In that brief glance Vronsky has time to notice the restrained animation that played over
her face and fluttered between her shining eyes and the barely noticeable smile that curved
her red lips. It was as if a surplus of something so overflowed her being that it expressed itself
beyond her will, now in the brightness of her glance, now in her smile. She deliberately
extinguished the light in her her eyes, but it shone against her will in a barely noticeable
smile.”
―
Leo Tolstoy
“It's like scarlet fever: one has to get it over."
"Then one should invent a way of inoculating love, like vaccination.”
―
Leo Tolstoy
“For a few seconds they looked silently into each other's eyes, and the distant and
impossible suddenly became near, possible, and inevitable.”
―
Leo Tolstoy
“People often think the question of non-resistance to evil by force is a theoretical one, which
can be neglected. Yet this question is presented by life itself to all men, and calls for some
answer from every thinking man. Ever since Christianity has been outwardly professed, this
question is for men in their social life like the question which presents itself to a traveler when
the road on which he has been journeying divides into two branches.
He must go on and he cannot say: I will not think about it, but will go on just as I did before.
There was one road, now there are two, and he must make his choice.”
―
Leo Tolstoy
“Is it possible to love a woman who will never understand the profoundest interests of my
life?
Is it possible to love a woman simply for her beauty,
to love the statue of a woman?”
―
Leo Tolstoy
“This history of culture will explain to us the motives, the conditions of life, and the thought
of the writer or reformer. ”
―
Leo Tolstoy
“was serene. Her Moscow troubles had become a memory to her.”
―
Leo Tolstoy
“There are two aspects to the life of every man: the personal life, which is free in proportion
as its interests are abstract, and the elemental life of the swarm, in which a man must
inevitably follow the laws laid down for him.
Consciously a man lives on his own account in freedom of will, but he serves as an
unconscious instrument in bringing about the historical ends of humanity. An act he has once
committed is irrevocable, and that act of his, coinciding in time with millions of acts of others,
has an historical value. The higher a man's place in the social scale, the more connections has
with others, and the more power he has over them, the more conspicuous is the inevitability
and predestination of every act he commits. "The hearts of kings are in the hand of God." The
king is the slave of history.”
―
Leo Tolstoy
“In external ways Pierre had hardly changed at all. In appearance he was just what he used
to be. As before he was absent-minded and seemed occupied not with what was before his
eyes but with something special of his own. The difference between his former and present
self was that formerly when he did not grasp what lay before him or was said to him, he had
puckered his forehead painfully as if vainly seeking to distinguish something at a distance. At
present he still forgot what was said to him and still did not see what was before his eyes, but
he now looked with a scarcely perceptible and seemingly ironic smile at what was before him
and listened to what was said, though evidently seeing and hearing something quite different.
Formerly he had appeared to be a kindhearted but unhappy man, and so people had been
inclined to avoid him. Now a smile at the joy of life always played round his lips, and sympathy
for others shone in his eyes with a questioning look as to whether they were as contented as
he was, and people felt pleased by his presence.”
―
Leo Tolstoy
“But Levin was in love, and so it seemed to him that Kitty was so perfect in every respect
that she was a creature far above everything earthly; and that he was a creature so low and so
earthly that it could not even be conceived that other people and she herself could regard him
as worthy of her.”
―
Leo Tolstoy
“To live in the needs of the day, find forgetfulness.”
―
Leo Tolstoy
