“Is it possible to love a woman who will never understand the profoundest interests of my life? Is it possible to love a woman simply for her beauty, to love the statue of a woman?”

Leo Tolstoy

“Pierre looked into the sky, into the depths of the retreating, twinkling stars. "And all this is mine, and all this is in me, and all this is me!" thought Pierre. "And all this they've caught and put in a shed and boarded it up!”

Leo Tolstoy

“When a man sees a dying animal, horror comes over him: that which he himself is, his essence, is obviously being annihilated before his eyes--is ceasing to be. But when the dying one is a person, and a beloved person, then, besides a sense of horror at the annihilation of life, there is a feeling of severance and a spiritual wound which, like a physical wound, sometimes kills and sometimes heals, but always hurts and fears any external, irritating touch.”

Leo Tolstoy

“It is not beauty that endears, it's love that makes us see beauty.”

Leo Tolstoy

“...there was apparent in all a sort of anxiety, a softening of the heart, and a consciousness of some great, unfathomable mystery being accomplished... the most solemn mystery in the world was being accomplished. Evening passed, night came on. And the feeling of suspenseand softening of the heart before the unfathomable did not wane, but grew more intense. No one slept.”

Leo Tolstoy

“If you feel that you are not free, look for the reason inside you.”

Leo Tolstoy

“Thus the truth—that his life should be directed by the spiritual element which is its basis, which manifests itself as love, and which is so natural to man—this truth, in order to force a way to man’s consciousness, had to struggle not merely against the obscurity with which it was expressed and the intentional and unintentional distortions surrounding it, but also against deliberate violence, which by means of persecutions and punishments sought to compel men to accept religious laws authorized by the rulers and conflicting with the truth.”

Leo Tolstoy

“But every acquisition that is disproportionate to the labor spent on it is dishonest.”

Leo Tolstoy

“It's not given to people to judge what's right or wrong. People have eternally been mistaken and will be mistaken, and in nothing more than in what they consider right and wrong.”

Leo Tolstoy

“Formerly (it had begun almost from childhood and kept growing till full maturity), whenever he had tried to do something that would be good for everyone, for mankind, for Russia, for the district, for the whole village, he had noticed that thinking about it was pleasant, but the doing itself was always awkward, there was no full assurance that the thing was absolutely necessary, and the doing itself, which at the start had seemed so big, kept diminishing and diminishing, dwindling to nothing; while now, after his marriage, when he began to limit himself more and more to living for himself, though he no longer experienced any joy at the thought of what he was doing, he felt certain that his work was necessary, saw that it turned out much better than before and that it was expanding more and more.”

Leo Tolstoy

“I am not strange but I feel queer. I am like that sometimes. I feel like crying all the time. It is very silly but it will pass.

Leo Tolstoy

“Between Countess Nordston and Levin there had been established those relations, not infrequent in society, in which two persons, while ostensibly remaining on friendly terms, are contemptuous of each other to such a degree that they cannot even treat each other seriously and cannot even insult each one another.”

Leo Tolstoy

“Levin scowled. The humiliation of his rejection stung him to the heart, as though it were a fresh wound he had only just received. But he was at home, and at home the very walls are a support.”

Leo Tolstoy

“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha singing, and something new and blissful stirred in his soul. He was happy, and at the same time he was sad. He certainly had nothing to weep about, but he was ready to weep. For what? For his past love? For the little princess? For his lost illusions? For his hopes for the future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid sense of the fearful contrast between something infinitely great and illimitable existing in him, and something limited and material, which he himself was, and even she was. This contrast made his heart ache, and rejoiced him while she was singing.”

Leo Tolstoy

“Nikolushka and his upbringing, Andre, and religion were Princess Marya's comforts and joys; but, besides that, since every human being needs his personal hope, Princess Marya had in the deepest recesses of her soul a hidden dream and hope, which provided the main comfort of her life.”

Leo Tolstoy


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