“The only real science is the knowledge of how a person should live his life. And this
knowledge is open to everyone.”
―
Leo Tolstoy
“everything comes in time to him who knows how to wait . . . there is nothing stronger than
these two: patience and time, they will do it all.”
―
Leo Tolstoy
“Darkness had fallen upon everything for him; but just because of this darkness he felt that
the one guiding clue in the darkness was his work, and he clutched it and clung to it with all his
strength.”
―
Leo Tolstoy
“There was within him a deep unexpressed conviction that all would be well, but that one
must not trust to this and still less speak about it, but must only attend to one's own work. And
he did his work, giving his whole strength to the task.”
―
Leo Tolstoy
“He got up, wishing to go around, but the aunt handed him the snuffbox right over Helene,
behind her back. Helene moved forward so as to make room and, smiling, glanced around. As
always at soirees, she was wearing a gown in the fashion of the time, quite open in front and
back. Her bust, which had always looked like marble to Pierre, was now such a short distance
from him that he could involuntarily make out with his nearsighted eyes the living loveliness of
her shoulders and neck, and so close to his lips that he had only to lean forward a little to
touch her. He sensed the warmth of her body, the smell of her perfume, and the creaking of
her corset as she breathed. He saw not her marble beauty, which made one with her gown, he
saw and sensed all the loveliness of her body, which was merely covered by clothes. And
once he had seen it, he could not see otherwise, as we cannot return to a once-exposed
deception.”
―
Leo Tolstoy
“How can he talk like that?" thought Pierre. He considered his friend a model of perfection
because Prince Andrew possessed in the highest degree just the very qualities Pierre lacked,
and which might be best described as strength of will.”
―
Leo Tolstoy
“Music makes me forget myself, my real position; it transports me to some other position
not my own. Under the influence of music it seems to me that I feel what I do not really feel,
that I understand what I do not understand, that I can do what I cannot do. I explain it by the
fact that music acts like yawning, like laughter: I am not sleepy, but I yawn when I see
someone yawning; there is nothing for me to laugh at, but I laugh when I hear people
laughing.
Music carries me immediately and directly into the mental condition in which the man was who
composed it. My soul merges with his and together with him I pass from one condition into
another, but why this happens I don't know.”
―
Leo Tolstoy
“There is an old Eastern fable about a traveler who is taken unawares on the steppes by a
ferocious wild animal. In order to escape the beast the traveler hides in an empty well, but at
the bottom of the well he sees a dragon with its jaws open, ready to devour him. The poor
fellow does not dare to climb out because he is afraid of being eaten by the rapacious beast,
neither does he dare drop to the bottom of the well for fear of being eaten by the dragon. So
he seizes hold of a branch of a bush that is growing in the crevices of the well and clings on to
it. His arms grow weak and he knows that he will soon have to resign himself to the death that
awaits him on either side. Yet he still clings on, and while he is holding on to the branch he
looks around and sees that two mice, one black and one white, are steadily working their way
round the bush he is hanging from, gnawing away at it. Sooner or later they will eat through it
and the branch will snap, and he will fall into the jaws of the dragon. The traveler sees this and
knows that he will inevitably perish. But while he is still hanging there he sees some drops of
honey on the leaves of the bush, stretches out his tongue and licks them. In the same way I
am clinging to the tree of life, knowing full well that the dragon of death inevitably awaits me,
ready to tear me to pieces, and I cannot understand how I have fallen into this torment. And Itry licking the honey that once consoled me, but it no longer gives me pleasure. The white
mouse and the black mouse – day and night – are gnawing at the branch from which I am
hanging. I can see the dragon clearly and the honey no longer tastes sweet. I can see only
one thing; the inescapable dragon and the mice, and I cannot tear my eyes away from them.
And this is no fable but the truth, the truth that is irrefutable and intelligible to everyone.
―
Leo Tolstoy
“The pleasure lies not in discovering truth, but in searching for it.”
―
Leo Tolstoy
“Talent is the capacity to direct concentrated attention upon the subject: "the gift of seeing
what others have not seen.”
―
Leo Tolstoy
“These principles laid down as in variable rules: that one must pay a card sharper, but
need not pay a tailor; that one must never tell a lie to a man, but one may to a woman; that
one must never cheat any one, but one may a husband; that one must never pardon an insult,
but one may give one and so on. These principles were possibly not reasonable and not good,
but they were of unfailing certainty, and so long as he adhered to them, Vronsky felt that his
heart was at peace and he could hold his head up.”
―
Leo Tolstoy
“This child, with his naive outlook on life was the compass which showed them the degree
of their departure from what they knew but did not want to know.”
―
Leo Tolstoy
“If you look for perfection, you'll never be content.”
―
Leo Tolstoy
“ٰ "The Most difficult thing but an essential one – is to love Life, to love it even while one
suffers, because Life is all, Life is God, and to love Life means to love God.”
―
Leo Tolstoy
“Germans are self-confident on the basis of an abstract notion—science, that is, the
supposed knowledge of absolute truth. A Frenchman is self-assured because he regards
himself personally, both in mind and body, as irresistibly attractive to men and women. An
Englishman is self-assured, as being a citizen of the best-organized state in the world, and
therefore as an Englishman always knows what he should do and knows that all he does as
an Englishman is undoubtedly correct. An Italian is self-assured because he is excitable and
easily forgets himself and other people. A Russian is self-assured just because he knows
nothing and does not want to know anything, since he does not believe that anything can be
known.”
―
Leo Tolstoy