“The goal of the artist is not to solve a question irrefutably, but to force people to love life in
all its countless, inexhaustible manifestations.”
―
Leo Tolstoy
“Smiling with pleasure, they went through their memories, not sad, old people's memories,
but poetic, youthful ones, those impressions from the very distant past where dream merges
with reality, and they laughed softly, rejoicing at something.”
―
Leo Tolstoy
“He got up, wishing to go around, but the aunt handed him the snuffbox right over Helene,
behind her back. Helene moved forward so as to make room and, smiling, glanced around. As
always at soirees, she was wearing a gown in the fashion of the time, quite open in front and
back. Her bust, which had always looked like marble to Pierre, was now such a short distance
from him that he could involuntarily make out with his nearsighted eyes the living loveliness of
her shoulders and neck, and so close to his lips that he had only to lean forward a little to
touch her. He sensed the warmth of her body, the smell of her perfume, and the creaking of
her corset as she breathed. He saw not her marble beauty, which made one with her gown, he
saw and sensed all the loveliness of her body, which was merely covered by clothes. And
once he had seen it, he could not see otherwise, as we cannot return to a once-exposed
deception.”
―
Leo Tolstoy
“Never, never marry, my friend. Here’s my advice to you: don’t marry until you can tell
yourself that you’ve done all you could, and until you’ve stopped loving the woman you’ve
chosen, until you see her clearly, otherwise you’ll be cruelly and irremediably mistaken. Marry
when you’re old and good for nothing...Otherwise all that’s good and lofty in you will be lost.”
―
Leo Tolstoy
“He spoke with such self-confidence that his hearers could not be sure whether what he
said was very witty or very stupid.”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
“At school he had done things which had formerly seemed to him very horrid and made him
feel disgusted with himself when he did them; but when later on he saw that such actions were
done by people of good position and that they did not regard them as wrong, he was able not
exactly to regard them as right, but to forget about them entirely or not be at all troubled at
remembering them.”
―
Leo Tolstoy
“If a teacher has only love for the cause, it will be a good teacher. If a teacher has only love
for student, as a father, mother, he will be better than the teacher, who read all the books, but
has no love for the cause, nor to the students. If the teacher combines love to the cause and
to his disciples, he is the perfect teacher.”
―
Leo Tolstoy
“Sometimes he remembered having heard how soldiers under fire in the trenches, and
having nothing to do, try hard to find some occupation the more easily to bear the danger. It
seemed to Pierre that all men were like those soldiers, seeking refuge from life: some in
ambition, some in cards, some in framing laws, some in women, some in playthings, some in
horses, some in politics, some in sport, some in wine, and some in government service.
'Nothing is without consequence, and nothing is important: it's all the same in the end. The
thing to do is to save myself from it all as best I can,' thought Pierre. Not to see IT, that terrible
IT.”
―
Leo Tolstoy
Now, however, he had learned to see the great, the eternal, the infinite in everything, and
therefore, in order to look at it, to enjoy his contemplation of it, he naturally discarded teh
telescope through which he had till then been gazing over the heads of men, and joyfully
surveyed the ever-changeing, eternally great, unfathomable, and infinite life around him. And
the closer he looked, the happier and more seren he was. The awful question: What for? a
simple answer was now always ready in his soul: Because there is a God, that God without
whose will not one hair of a man's head falls.”
―
Leo Tolstoy
“The difference between real material poison and intellectual poison is that most material
poison is disgusting to the taste, but intellectual poison, which takes the form of cheap
newspapers or bad books, can unfortunately sometimes be attractive.”
―
Leo Tolstoy
“Perhaps it's because I appreciate all I have so much that I don't worry about what I haven't
got.”
―
Leo Tolstoy
“For if we allow that human life is always guided by reason, we destroy the premise that life
is possible at all.
―
Leo Tolstoy
“it's much better to do good in a way that no one knows anything about it.”
―
Leo Tolstoy
“As a man cannot lift a mountain, and as a kindly man cannot kill an infant, so a man living
the Christian life cannot take part in deeds of violence. Of what value then to him are
arguments about the imaginary advantages of doing what is morally impossible for him to do?”
―
Leo Tolstoy
