“For the first time in his life he knew the bitterest sort of misfortune, misfortune beyond remedy, misfortune his own fault.”

“What's all this love of arguing? No one ever convinces anyone else.”

Now, however, he had learned to see the great, the eternal, the infinite in everything, and therefore, in order to look at it, to enjoy his contemplation of it, he naturally discarded teh telescope through which he had till then been gazing over the heads of men, and joyfully surveyed the ever-changeing, eternally great, unfathomable, and infinite life around him. And the closer he looked, the happier and more seren he was. The awful question: What for? a simple answer was now always ready in his soul: Because there is a God, that God without whose will not one hair of a man's head falls.”

“There was no solution, save that universal solution which life gives to all questions, even the most complex and insolvable: One must live in the needs of the day--that is, forget oneself.”

“At moments of departure and a change of life, people capable of reflecting on their actions usually get into a serious state of mind. At these moments they usually take stock of the past and make plans for the future.”

“Like the majority of irreproachably virtuous women, wearying often of the monotony of a virtuous life, Dolly from a distance excused illicit love, and even envied it a little.

“I must ask what it is you want of me?" "What can I want? All I can want is that you should not desert me, as you think of doing," she said, understanding all he had not uttered. "But that I don't want; that's secondary. I want love, and there is none. So then all is over.”

“He felt that now over his every word, his every deed, there was a judge, a judgment, which was dearer to him than the judgments of all the people in the world. He spoke now, and along with his words he considered the impression his words would make on Natasha. He did not deliberately say what would be please her, but whatever he said, he judged himself from her point of view.”

“The whole world is divided for me into two parts: one is she, and there is all happiness, hope, light; the other is where she is not, and there is dejection and darkness...”

“I don’t count life as life without love”

“And you know, there's less charm in life when you think about death--but it's more peaceful.”

“There is an old Eastern fable about a traveler who is taken unawares on the steppes by a ferocious wild animal. In order to escape the beast the traveler hides in an empty well, but at the bottom of the well he sees a dragon with its jaws open, ready to devour him. The poor fellow does not dare to climb out because he is afraid of being eaten by the rapacious beast, neither does he dare drop to the bottom of the well for fear of being eaten by the dragon. So he seizes hold of a branch of a bush that is growing in the crevices of the well and clings on to it. His arms grow weak and he knows that he will soon have to resign himself to the death that awaits him on either side. Yet he still clings on, and while he is holding on to the branch he looks around and sees that two mice, one black and one white, are steadily working their way round the bush he is hanging from, gnawing away at it. Sooner or later they will eat through it and the branch will snap, and he will fall into the jaws of the dragon. The traveler sees this and knows that he will inevitably perish. But while he is still hanging there he sees some drops of honey on the leaves of the bush, stretches out his tongue and licks them. In the same way I am clinging to the tree of life, knowing full well that the dragon of death inevitably awaits me, ready to tear me to pieces, and I cannot understand how I have fallen into this torment. And Itry licking the honey that once consoled me, but it no longer gives me pleasure. The white mouse and the black mouse – day and night – are gnawing at the branch from which I am hanging. I can see the dragon clearly and the honey no longer tastes sweet. I can see only one thing; the inescapable dragon and the mice, and I cannot tear my eyes away from them. And this is no fable but the truth, the truth that is irrefutable and intelligible to everyone.

“He knew that Vronsky could not be prevented from amusing himself with painting; he knew that he and all dilettanti had a perfect right to paint what they liked, but it was distasteful to him. A man could not be prevented from making himself a big wax doll, and kissing it. But if the man were to come with the doll and sit before a man in love, and began caressing his doll as the lover caressed the woman he loved, it would be distasteful to the lover. Just such a distasteful sensation was what Mihailov felt at the sight of Vronsky’s painting: he felt it both ludicrous and irritating, both pitiable and offensive.”

“Everything I know, I know because I love.”

“Yet time and again, from different approaches, I kept coming to the same conclusion, that I could not have come into the world without any cause, reason, or meaning; that I could not be the fledgeling fallen from the nest that I felt myself to be. If I lie on my back crying in the tall grass, like a fledgeling, it is because I know that my mother brought me into the world, kept me warm, fed me and loved me. But where is she, that mother? If I am abandoned, then who has abandoned me? I cannot hide myself from the fact that someone who loved me gave birth to me. Who is this someone? Again, God.”