“Looking into Napoleon's eyes, Prince Andrei thought about the insignificance of grandeur,
about the insignificance of life, the meaning of which no one could understand, and about the
still greater insignificance of death, the meaning of which no one among the living could
understand or explain.”
―
Leo Tolstoy
“A man's every action is inevitably conditioned by what surrounds him and by his own
body.”
―
Leo Tolstoy
“We are all created to be miserable, and that we all know it, and all invent means of
deceiving each other. And when one sees the truth, what is one to do?”
―
Leo Tolstoy
“One step beyond that boundary line which resembles the line dividing the living from the
dead lies uncertainty, suffering, and death. And what is there? Who is there?--there beyond
that field, that tree, that roof lit up by the sun? No one knows, but one wants to know. You fear
and yet long to cross that line, and know that sooner or later it must be crossed and you will
have to find out what is there, just as you will inevitably have to learn what lies the other side
of death. But you are strong, healthy, cheerful, and excited, and are surrounded by other such
excitedly animated and healthy men.”
―
Leo Tolstoy
“Why do i live? In the infinity of space, and infinity of time infinitely small particles mutate
with infinite complexity. When you understand the laws of these mutations, you'll understand
why you live.”
―
Leo Tolstoy
“The Jew is that sacred being, who has brought down from Heaven the everlasting fire, and
has illumined with it the entire world. He is the religious source, spring, and fountain out of
which all the rest of the peoples have drawn their beliefs and their religions.”
―
Leo Tolstoy
“Consciously a man lives on his own account in freedom of willbut he serves as an
unconscious instrument in bringing about the historical ends of humanity. An act he has once
committed is irrecvocable, and that act of his, coinciding in time with millions of acts of others,
has an historical value... 'The hearts of kinds are in the hand of God.' The king is the slave of
history... Every action that seems to them an act of their own freewill, is in an historical sense
not free at all, but in bondage to the whole course of previous history, and predestined from all
eternity.”
―
Leo Tolstoy
“So it would be, were it not for the law of inertia, as immutable a force in men and nations
as in inanimate bodies. In men it takes the form of the psychological principle, so truly
expressed in the words of the Gospel, " They have loved darkness better than light, because
their deeds were evil." This principle shows itself in men not trying to recognise the truth, but to
persuade themselves that the life they are leading, which is what they like and are used to, is
a life perfectly consistent with truth.”
―
Leo Tolstoy
“He knew she was there by the rapture and the terror that seized on his heart. She was
standing talking to a lady at the opposite end of the ground. There was apparently nothing
striking either in her dress or her attitude. But for Levin she was as easy to find in that crowdas a rose among nettles. Everything was made bright by her. She was the smile that shed light
all around her.”
―
Leo Tolstoy
“The subject of history is the life of peoples and mankind.”
―
Leo Tolstoy
“Just when the question of how to live had become clearer to him, a new insoluble problem
presented itself - Death.”
―
Leo Tolstoy
“Man cannot possess anything as long as he fears death. But to him who does not fear it,
everything belongs. If there was no suffering, man would not know his limits, would not know
himself.
―
Leo Tolstoy
“Everything ends in death, everything. Death is terrible.”
―
Leo Tolstoy
“Now one often saw only her face and body, while her soul was not seen at all.”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
