“A Frenchman's self-assurance stems from his belief that he is mentally and physically irresistibly fascinating to both men and women. An Englishman's self-assurance is founded on his being a citizen of the best organized state in the world and on the fact that, as an Englishman, he always knows what to do, and that whatever he does as an Englishman is unquestionably correct. An Italian is self-assured because he is excitable and easily forgets. A Russian is self-assured simply because he knows nothing and does not want to know anything, since he does not believe in the possibility of knowing anything fully.”

Leo Tolstoy

“We exchanged disagreeable remarks. The impression of this first quarrel was terrible. I say quarrel, but the term is inexact. It was the sudden discovery of the abyss that had been dug between us.”

Leo Tolstoy

“There it is!' he thought with rapture. 'When I was already in despair, and when it seemed there would be no end- there it is! She loves me. She's confessed it.”

Leo Tolstoy

“Levin scowled. The humiliation of his rejection stung him to the heart, as though it were a fresh wound he had only just received. But he was at home, and at home the very walls are a support.”

Leo Tolstoy

“One must try to make one's life as pleasant as possible. I'm alive and it's not my fault, which means I must somehow go on living the best I can, without bothering anybody, until I die.' 'But what makes you live? With such thoughts, you'll sit without moving, without undertaking anything...' 'Life won't leave one alone as it is.”

Leo Tolstoy

“What energy!' I thought. 'Man has conquered everything, and destroyed millions of plants, yet this one won't submit.”

Leo Tolstoy

“There was no answer, except the general answer life gives to all the most complex and insoluble questions. That answer is: one must live for the needs of the day, in other words, become oblivious.”

Leo Tolstoy

“Music makes me forget myself, my real position; it transports me to some other position not my own. Under the influence of music it seems to me that I feel what I do not really feel, that I understand what I do not understand, that I can do what I cannot do. I explain it by the fact that music acts like yawning, like laughter: I am not sleepy, but I yawn when I see someone yawning; there is nothing for me to laugh at, but I laugh when I hear people laughing. Music carries me immediately and directly into the mental condition in which the man was who composed it. My soul merges with his and together with him I pass from one condition into another, but why this happens I don't know.”

Leo Tolstoy

“A quiet secluded life in the country, with the possibility of being useful to people to whom it is easy to do good, and who are not accustomed to have it done to them; then work which one hopes may be of some use; then rest, nature, books, music, love for one’s neighbor — such is my idea of happiness.”

Leo Tolstoy

“Her glance, the touch of her hand, set him aflame. He kissed the palm of his hand where she had touched it, and went home, happy in the sense that he had got nearer to the attainment of his aims that evening...”

Leo Tolstoy

“In spite of death, he felt the need of life and love. He felt that love saved him from despair, and that this love, under the menace of despair, had become still stronger and purer. The one mystery of death, still unsolved, had scarcely passed before his eyes, when another mystery had arisen, as insoluble, urging him to love and to life.”

Leo Tolstoy

Why am I going?" he repeated, looking straight into her eyes. "You know that I am going in order to be where you are," said he. "I cannot do otherwise."

Leo Tolstoy

“He saw either death or the approach of it everywhere. But his undertaking now occupied him all the more. He had to live his life to the end, until death came. Darkness covered everything for him; but precisely because of this darkness he felt that his undertaking was the only guiding thread in this darkness, and he seized it and held on to it with all his remaining strength.”

Leo Tolstoy

“They had to return to the one sure and never-failing resource- slander.”

Leo Tolstoy

“He knew that Vronsky could not be prevented from amusing himself with painting; he knew that he and all dilettanti had a perfect right to paint what they liked, but it was distasteful to him. A man could not be prevented from making himself a big wax doll, and kissing it. But if the man were to come with the doll and sit before a man in love, and began caressing his doll as the lover caressed the woman he loved, it would be distasteful to the lover. Just such a distasteful sensation was what Mihailov felt at the sight of Vronsky’s painting: he felt it both ludicrous and irritating, both pitiable and offensive.”

Leo Tolstoy


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