“You think that your laws correct evil - they only increase it. There is but one way to end evil
- by rendering good for evil to all men without distinction.”
―
Leo Tolstoy
“A man can live and be healthy without killing animals for food; therefore, if he eats meat, he
participates in taking animal life merely for the sake of his appetite. And to act so is immoral.”
―
Leo Tolstoy
“that in every individual a spiritual element is manifested that gives life to all that exists, and
that this spiritual element strives to unite with everything of a like nature to itself, and attains
this aim through love.”
―
Leo Tolstoy
“Natasha was happy as she had never been in her life. She was at that highest pitch of
happiness, when one becomes completely good and kind, and disbelieves in the very
possibility of evil, unhappiness, and sorrow.”
―
Leo Tolstoy
“But it seems to me that a man cannot and ought not to say that he loves, he said. Why
not? I asked. Because it will always be a lie. As though it were a strange sort of discovery that
someone is in love! Just as if, as soon as he said that, something went snap-bang - he loves.
Just as if, when he utters that word, something extraordinary is bound to happen, with signs
and portents, and all the cannons firing at once. It seems to me, he went on, that people who
solemnly utter those words, 'I love you,' either deceive themselves, or what's still worse,
deceive others.”
―
Leo Tolstoy
“But I'm married, and believe me, in getting to know thoroughly one's wife, if one loves her,
as some one has said, one gets to know all women better than if one knew thousands of
them.”
―
Leo Tolstoy
“In that brief glance Vronsky had time to notice the restrained animation that played over
her face and fluttered between her shining eyes and the barely noticeable smile that curved
her red lips. It was as if a surplus of something so overflowed her being that it expressed itself
beyond her will, now in the brightness of her glance, now in her smile.”
―
Leo Tolstoy
“Pierre’s heart thrilled to these words as he gazed with shining eyes into the mason’s face.
He listened without interrupting or asking any questions, and with all his soul he believed what
this stranger was saying to him. Whether he was believing rational arguments coming from the
mason, or trusting more like a child in the persuasive intonation, the sense of authority, the
sincerity of the words spoken, the quavering voice that sometimes seemed on the verge of
breaking down, or the gleaming aged eyes grown old in that conviction, or the tranquillity, the
certainty and true sense of vocation radiating from the old man’s whole being and striking
Pierre very forcibly, given the state of his own debasement and despair – whatever was
happening to him, he longed to believe with all his soul, and he did believe and he felt a joyful
sense of calm, renewal and return to life.”
―
Leo Tolstoy
“With friends, one is well; but at home, one is better.”
―
Leo Tolstoy
“There are two aspects to the life of every man: the personal life, which is free in proportion
as its interests are abstract, and the elemental life of the swarm, in which a man must
inevitably follow the laws laid down for him.
Consciously a man lives on his own account in freedom of will, but he serves as an
unconscious instrument in bringing about the historical ends of humanity. An act he has once
committed is irrevocable, and that act of his, coinciding in time with millions of acts of others,
has an historical value. The higher a man's place in the social scale, the more connections has
with others, and the more power he has over them, the more conspicuous is the inevitability
and predestination of every act he commits. "The hearts of kings are in the hand of God." The
king is the slave of history.”
―
Leo Tolstoy
“Drama, instead of telling us the whole of a man's life, must place him in such a situation, tie
such a knot, that when it is untied, the whole man is visible.”
―
Leo Tolstoy
“By digging into our souls, we often dig up what might better have remained there
unnoticed."
―
Leo Tolstoy
“She was utterly unlike what she had been when he first saw her. Both morally and
physically she had changed for the worse. [...] He looked at her as a man looks at a faded
flower he has gathered, with difficulty recognizing in it the beauty for which he picked and
ruined it.”
―
Leo Tolstoy
“He stepped down, avoiding any long look at her as one avoids long looks at the sun, but
seeing her as one sees the sun, without looking.”
―
Leo Tolstoy