“When Mother smiled, no matter how nice her face had been before, it became
incomparably nicer and everything around seemed to brighten up as well.”
―
Leo Tolstoy
“We expect rewards for goodness, and punishments for the bad things which we do. Often,
they are not immediately”
―
Leo Tolstoy
“That only shows you have no heart,’ she said. But her eyes said that she knew he had a
heart, and that was why she was afraid of him”
―
Leo Tolstoy
“What a strange illusion it is to suppose that beauty is goodness.
―
Leo Tolstoy
“Oh no, Papa, Kitty objected warmly. Varenka adores her. And besides, she does so much
good! Ask anyone you like! Everybody knows her and Aline Stah. Perhaps, he said, pressing
her arm with his elbow. But it is better to do good so that, ask whom you will, no one knows
anything about it.”
―
Leo Tolstoy
“And what was worst of all was that *It* drew his attention to itself not in order to make him
take some action but only that he should look at *It*, look it straight in the face: look at it and
without doing anything, suffer inexpressibly.
And to save himself from this condition Ivan Ilych looked for consolations -- new screens --
and new screens were found and for a while seemed to save him, but then they immediately
fell to pieces or rather became transparent, as if *It* penetrated them and nothing could veil
*It*.”
―
Leo Tolstoy
“Whatever our fate is or may be, we have made it and do not complain of it."
―
Leo Tolstoy
“But it was not only by this feeling, as Varvara thought, that he was guided. Mingling with
his pride, with his need always to be first, was another motive, at which Varvara did not guess
- a truly religious urge. His disillusionment in Mary (his betrothed), whom he had imagined
such a saint, his feeling of outrage was so cruel that he sank into despair; and despair led him
- whither? To God, to the faith of his childhood, which had never lost its hold upon him.
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
“And there in the middle, high above Prechistensky Boulevard, amidst a scattering of stars
on every side but catching the eye through its closeness to the earth, its pure white light and
the long uplift of its tail, shone the comet, the huge, brilliant comet of 1812, that popular
harbinger of untold horrors and the end of the world. But this bright comet with its long, shiny
tail held no fears for Pierre. Quite the reverse: Pierre’s eyes glittered with tears of rapture as
he gazed up at this radiant star, which must have traced its parabola through infinite space at
speeds unimaginable and now suddenly seemed to have picked its spot in the black sky and
impaled itself like an arrow piercing the earth, and stuck there, with its strong upthrusting tail
and its brilliant display of whiteness amidst the infinity of scintillating stars. This heavenly body
seemed perfectly attuned to Pierre’s newly melted heart, as it gathered reassurance and
blossomed into new life.”
―
Leo Tolstoy
“The study was slowly lit up as the candle was brought in. The familiar details came out: the
stag's horns, the bookshelves, the looking-glass, the stove with its ventilator, which had long
wanted mending, his father's sofa, a large table, on the table an open book, a broken ash-tray,a manuscript-book with his handwriting. As he saw all this, there came over him for an instant
a doubt of the possibility of arranging this new life, of which he had been dreaming on the
road. All these traces of his life seemed to clutch him, and to say to him: 'No, you're not going
to get away from us, and you're not going to be different, but you're going to be the same as
you've always been; with doubts, everlasting dissatisfaction with yourself, vain efforts to
amend, and falls, and everlasting expectations, of a happiness which you won't get, and which
isn't possible for you.”
―
Leo Tolstoy
“But it seems to me that a man cannot and ought not to say that he loves, he said. Why
not? I asked. Because it will always be a lie. As though it were a strange sort of discovery that
someone is in love! Just as if, as soon as he said that, something went snap-bang - he loves.
Just as if, when he utters that word, something extraordinary is bound to happen, with signs
and portents, and all the cannons firing at once. It seems to me, he went on, that people who
solemnly utter those words, 'I love you,' either deceive themselves, or what's still worse,
deceive others.”
―
Leo Tolstoy
“I understood, not with my intellect but with my whole being, that no theories of the
rationality of existence or of progress could justify such an act; I realized that even if all the
people in the world from the day of creation found this to be necessary according to whatever
theory, I knew that it was not necessary and that it was wrong. Therefore, my judgments must
be based-on what is right and necessary and not on what people say and do; I must judge not
according to progress but according to my own heart.”
―
Leo Tolstoy
