“She did not want to talk of her sorrow, but with that sorrow in her heart she could not talk of
outside matters.”
―
Leo Tolstoy
“if they hadn’t both been pretending, but had had what is called a heart-to-heart talk, that is,
simply told each other just what they were thinking and feeling, then they would just have
looked into each other’s eyes, and Constantine would only have said: ‘You’re dying, dying,
dying!’ – while Nicholas would simply have replied: ‘I know I’m dying, but I’m afraid, afraid,
afraid!’ That’s all they would have said if they’d been talking straight from the heart. But it was
impossible to live that way, so Levin tried to do what he’d been trying to do all his life without
being able to, what a great many people could do so well, as he observed, and without which
life was impossible: he tried to say something different from what he thought, and he always
felt it came out false, that his brother caught him out and was irritated by it.”
―
Leo Tolstoy
“Drama, instead of telling us the whole of a man's life, must place him in such a situation, tie
such a knot, that when it is untied, the whole man is visible.”
―
Leo Tolstoy
“The study was slowly lit up as the candle was brought in. The familiar details came out: the
stag's horns, the bookshelves, the looking-glass, the stove with its ventilator, which had long
wanted mending, his father's sofa, a large table, on the table an open book, a broken ash-tray,a manuscript-book with his handwriting. As he saw all this, there came over him for an instant
a doubt of the possibility of arranging this new life, of which he had been dreaming on the
road. All these traces of his life seemed to clutch him, and to say to him: 'No, you're not going
to get away from us, and you're not going to be different, but you're going to be the same as
you've always been; with doubts, everlasting dissatisfaction with yourself, vain efforts to
amend, and falls, and everlasting expectations, of a happiness which you won't get, and which
isn't possible for you.”
―
Leo Tolstoy
“I think that when you remember, remember, remember everything like that, you could go
on until you remember what was there before you were in the world. ”
―
Leo Tolstoy
“Every man experiences what you call love for every pretty woman and least of all for his
wife. That is what the proverb says, and it is a true one. "Another's wife is a swan, but one's
own is bitter wormwood.”
―
Leo Tolstoy
“The more mental effort he made the clearer he saw that it was undoubtedly so: that he had
really forgotten and overlooked one little circumstance in life - that Death would come and end
everything, so that it was useless to begin anything, and that there was no help for it, Yes it
was terrible but true”
―
Leo Tolstoy
“Formerly...when he tried to do anything for the good of everybody, for humanity...for the
whole village, he had noticed that the thoughts of it were agreeable, but the activity itself was
always unsatisfactory; there was no full assurance that the work was really necessary, and the
activity itself, which at first seemed so great, ever lessened and lessened till it vanished. But
now...when he began to confine himself more and more to living for himself, though he no
longer felt any joy at the thought of his activity, he felt confident that his work was necessary,
saw that it progressed far better than formerly, and that it was always growing more and
more.”
―
Leo Tolstoy
“All families are happy, all families are alike.”
―
Leo Tolstoy
“He felt that he was himself and did not wish to be anyone else. He only wished now to be
better than he had been formerly”
―
Leo Tolstoy
“The heroine of my writings is She, whom I love with all the forces of my being, She who
always was, is and will be beautiful, is Truth
―
Leo Tolstoy
“Prince Andrei was one of the best dancers of his day. Natasha danced exquisitely. Her
little feet in their satin dancing shoes performed their role swiftly, lightly, as if they had wings,
while her face was radiant and ecstatic with happiness.”
―
Leo Tolstoy
“Natasha, in her lilac silk dress trimmed with black lace walked, as women can walk, with
the more repose and stateliness the greater the pain and shame in her soul.”
―
Leo Tolstoy
“He got up, wishing to go around, but the aunt handed him the snuffbox right over Helene,
behind her back. Helene moved forward so as to make room and, smiling, glanced around. As
always at soirees, she was wearing a gown in the fashion of the time, quite open in front and
back. Her bust, which had always looked like marble to Pierre, was now such a short distance
from him that he could involuntarily make out with his nearsighted eyes the living loveliness of
her shoulders and neck, and so close to his lips that he had only to lean forward a little to
touch her. He sensed the warmth of her body, the smell of her perfume, and the creaking of
her corset as she breathed. He saw not her marble beauty, which made one with her gown, he
saw and sensed all the loveliness of her body, which was merely covered by clothes. And
once he had seen it, he could not see otherwise, as we cannot return to a once-exposed
deception.”
―
Leo Tolstoy
