“Smiling with pleasure, they went through their memories, not sad, old people's memories, but poetic, youthful ones, those impressions from the very distant past where dream merges with reality, and they laughed softly, rejoicing at something.”

Leo Tolstoy

“Stepan Arkadyevitch took in and read a liberal paper, not an extreme one, but one advocating the views held by the majority. And in spite of the fact that science, art, and politics had no special interest for him, he firmly held those views on all these subjects which were held by the majority and by his paper, and he only changed them when the majority changed them—or, more strictly speaking, he did not change them, but they imperceptibly changed of themselves within him.

Leo Tolstoy

“I know that most men, including those at ease with problems of the greatest complexity, can seldom accept even the simplest and most obvious truth if it be such as would oblige them to admit the falsity of conclusions which they have delighted in explaining to colleagues, which they have proudly taught to others, and which they have woven, thread by thread, into the fabric of their lives.”

Leo Tolstoy

“The most important acts, both for the one who accomplishes them and for his fellow creatures, are those that have remote consequences.”

Leo Tolstoy

“This history of culture will explain to us the motives, the conditions of life, and the thought of the writer or reformer. ”

Leo Tolstoy

“But Levin was in love, and so it seemed to him that Kitty was so perfect in every respect that she was a creature far above everything earthly; and that he was a creature so low and so earthly that it could not even be conceived that other people and she herself could regard him as worthy of her.”

Leo Tolstoy

“Davout looked up and gazed intently at him. For some seconds they looked at one another, and that look saved Pierre. Apart from conditions of war and law, that look established human relations between the two men. At that moment an immense number of things passed dimly through both their minds, and they realized that they were both children of humanity and were brothers.”

Leo Tolstoy

“We are forced to fall back on fatalism as an explanation of irrational events (that is to say, events the reasonableness of which we do not understand).”

Leo Tolstoy

“He spoke with such self-confidence that his hearers could not be sure whether what he said was very witty or very stupid.”

Leo Tolstoy

“In order to carry through any undertaking in family life, there must necessarily be either complete division between the husband and wife, or loving agreement. When the relations of a couple are vacillating and neither one thing nor the other, no sort of enterprise can be undertake.

Leo Tolstoy

“But the princess had never seen the beautiful expression of her eyes; the expression that came into them when she was not thinking of herself. As is the case with everyone, her face assumed an affected, unnatural, ugly expression as soon as she looked in the looking glass.”

Leo Tolstoy

“Love. The reason I dislike that word is that it means too much for me, far more than you can understand."

Leo Tolstoy

“The only real science is the knowledge of how a person should live his life. And this knowledge is open to everyone.”

Leo Tolstoy

“He felt all the torment of his and her position, all the difficulties they were surrounded by in consequence of their station in life, which exposed them to the eyes of the whole world, obliged them to hide their love, to lie and deceive, and again to lie and deceive, to scheme and constantly think about others while the passion that bound them was so strong that they both forgot everything but their love.”

Leo Tolstoy

“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha singing, and something new and blissful stirred in his soul. He was happy, and at the same time he was sad. He certainly had nothing to weep about, but he was ready to weep. For what? For his past love? For the little princess? For his lost illusions? For his hopes for the future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid sense of the fearful contrast between something infinitely great and illimitable existing in him, and something limited and material, which he himself was, and even she was. This contrast made his heart ache, and rejoiced him while she was singing.”

Leo Tolstoy


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