“In historical events great men-so called-are but the labels that serve to give a mane to an
event, and like labels, they have the last possible connection with the event itself. Every action
of theirs, that seems to them an act of their own free will, is in an historical sense not free at
all, but in bondage to the whole course of previous history, and predestined from all eternity.”
―
Leo Tolstoy
“Smiling with pleasure, they went through their memories, not sad, old people's memories,
but poetic, youthful ones, those impressions from the very distant past where dream merges
with reality, and they laughed softly, rejoicing at something.”
―
Leo Tolstoy
“He knew that Vronsky could not be prevented from amusing himself with painting; he knew
that he and all dilettanti had a perfect right to paint what they liked, but it was distasteful to
him. A man could not be prevented from making himself a big wax doll, and kissing it. But if
the man were to come with the doll and sit before a man in love, and began caressing his doll
as the lover caressed the woman he loved, it would be distasteful to the lover. Just such a
distasteful sensation was what Mihailov felt at the sight of Vronsky’s painting: he felt it both
ludicrous and irritating, both pitiable and offensive.”
―
Leo Tolstoy
“It was all so strange, so unlike what he had been looking forward to.”
―
Leo Tolstoy
“Though the doctors treated him, let his blood, and gave him medications to drink, he
nevertheless recovered.”
―
Leo Tolstoy
“Self-conceit is a sentiment entirely incompatible with genuine sorrow, and it is so firmly
engrafted on human nature that even the most profound sorrow can seldom expel it
altogether. Vanity in sorrow expresses itself by a desire to appear either stricken with grief or
unhappy or brave: and this ignoble desire which we do not acknowledge but which hardly ever
leaves us even in the deepest trouble robs our grief of its strength, dignity and sincerity.”
―
Leo Tolstoy
“Art is not, as the metaphysicians say, the manifestation of some mysterious idea of beauty
or God; it is not, as the aesthetical physiologists say, a game in which man lets off his excess
of stored-up energy; it is not the expression of man's emotions by external signs; it is not the
production of pleasing objects; and, above all, it is not pleasure; but it is a means of union
among men, joining them together in the same feelings, and indispensable for the life and
progress toward well-being of individuals and of humanity.”
―
Leo Tolstoy
“He soon felt that the fulfillment of his desires gave him only one grain of the mountain of
happiness he had expected. This fulfillment showed him the eternal error men make in
imagining that their happiness depends on the realization of their desires.”
―
Leo Tolstoy
“It is often said that the invention of terrible weapons of destruction will put an end to war.
That is an error. As the means of extermination are improved, the means of reducing men whohold the state conception of life to submission can be improved to correspond. They may
slaughter them by thousands, by millions, they may tear them to pieces, still they will march to
war like senseless cattle. Some will want beating to make them move, others will be proud to
go if they are allowed to wear a scrap of ribbon or gold lace.”
―
Leo Tolstoy
“Formerly (it had begun almost from childhood and kept growing till full maturity), whenever
he had tried to do something that would be good for everyone, for mankind, for Russia, for the
district, for the whole village, he had noticed that thinking about it was pleasant, but the doing
itself was always awkward, there was no full assurance that the thing was absolutely
necessary, and the doing itself, which at the start had seemed so big, kept diminishing and
diminishing, dwindling to nothing; while now, after his marriage, when he began to limit himself
more and more to living for himself, though he no longer experienced any joy at the thought of
what he was doing, he felt certain that his work was necessary, saw that it turned out much
better than before and that it was expanding more and more.”
―
Leo Tolstoy
“Music makes me forget myself, my true condition, it carries me off into another state of
being, one that isn't my own: under the influence of music I have the illusion of feeling things I
don't really feel, of understanding things I don't understand, being able to do things I'm not
able to do (...) Can it really be allowable for anyone who feels like it to hypnotize another
person, or many other persons, and then do what he likes with them? Particularly if the
hypnotist is the first unscrupulous individual who happens to come along?”
―
Leo Tolstoy
“There is one thing, and only one thing, in which it is granted to you to be free in life, all else
being beyond your power: that is to recognize and profess the truth.”
―
Leo Tolstoy
“If only [people] understood that every thought is both false and true! False by one-
sidenedness resulting from man's inability to embrace the whole truth, and true as an
expression of one fact of human endeavor.”
―
Leo Tolstoy
“I do value my work awfully; but in reality only consider this: all this world of ours is nothing
but a speck of mildew, which has grown up on a tiny planet. And for us to suppose we can
have something great - ideas, work - it's all dust and ashes.”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
