“Life did not stop, and one had to live.”
―
Leo Tolstoy
“You say: I am not free. But I have raised and lowered my arm. Everyone understands that
this illogical answer is an irrefutable proof of freedom.”
―
Leo Tolstoy
“When a man sees a dying animal, horror comes over him: that which he himself is, his
essence, is obviously being annihilated before his eyes--is ceasing to be. But when the dying
one is a person, and a beloved person, then, besides a sense of horror at the annihilation of
life, there is a feeling of severance and a spiritual wound which, like a physical wound,
sometimes kills and sometimes heals, but always hurts and fears any external, irritating
touch.”
―
Leo Tolstoy
“everything comes in time to him who knows how to wait . . . there is nothing stronger than
these two: patience and time, they will do it all.”
―
Leo Tolstoy
“Even in the valley of the shadow of death, two and two do not make six.”
―
Leo Tolstoy
“if they hadn’t both been pretending, but had had what is called a heart-to-heart talk, that is,
simply told each other just what they were thinking and feeling, then they would just have
looked into each other’s eyes, and Constantine would only have said: ‘You’re dying, dying,
dying!’ – while Nicholas would simply have replied: ‘I know I’m dying, but I’m afraid, afraid,
afraid!’ That’s all they would have said if they’d been talking straight from the heart. But it was
impossible to live that way, so Levin tried to do what he’d been trying to do all his life without
being able to, what a great many people could do so well, as he observed, and without which
life was impossible: he tried to say something different from what he thought, and he always
felt it came out false, that his brother caught him out and was irritated by it.”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
What did that show? It showed that he had lived well, but thought badly.”
―
Leo Tolstoy
“It's too easy to criticize a man when he's out of favour, and to make him shoulder the
blame for everybody else's mistakes.”
―
Leo Tolstoy
“Love. The reason I dislike that word is that it means too much for me, far more than you can
understand."
―
Leo Tolstoy
“It's like scarlet fever: one has to get it over."
"Then one should invent a way of inoculating love, like vaccination.”
―
Leo Tolstoy
“I simply want to live; to cause no evil to anyone but myself.”
―
Leo Tolstoy
“But what can I do?' - I answer those who speak thus. - '... must I therefore not point out the
evil which I clearly, unquestionably see?”
―
Leo Tolstoy
“We expect rewards for goodness, and punishments for the bad things which we do. Often,
they are not immediately”
―
Leo Tolstoy
“Anna spoke not only naturally and intelligently, but intelligently and casually, without
attaching any value to her own thoughts, yet giving great value to the thoughts of the one she
was talking to.”
―
Leo Tolstoy
