“But she did not take her eyes from the wheels of the second car. And exactly at the
moment when the midpoint between the wheels drew level with her, she threw away the red
bag, and drawing her head back into her shoulders, fell on her hands under the car, and with a
light movement, as though she would rise immediately, dropped on her knees. And at the
instant she was terror-stricken at what she was doing. 'Where am I? What am I doing? What
for?' She tried to get up, to throw herself back; but something huge and merciless struck her
on the head and dragged her down on her back
―
Leo Tolstoy
“At that moment it meant nothing to him who might be standing over him, or what was said
of him; he was only glad that people were standing near him and only wished that they would
help him and bring him back to life, which seemed to him so beautiful now that he had today
learned to understand it so differently.”
―
Leo Tolstoy
“She had no need to ask why he had come. She knew as certainly as if he had told her that he
was here to be where she was.”
―
Leo Tolstoy
“I think that to find out what love is really like, one must first make a mistake and then put it
right.”
―
Leo Tolstoy
“In Varenka, she realized that one has but to forget oneself and love others, and one will be
calm, happy, and noble.”
―
Leo Tolstoy
“When you love someone, you love the person as they are, and not as you'd like them to be.”
―
Leo Tolstoy
“We imagine that when we are thrown out of our usual ruts all is lost, but it is only then that
what is new and good begins. While there is life there is happiness. There is much, much
before us.”
―
Leo Tolstoy
“I want movement, not a calm course of existence. I want excitement and danger and the
chance to sacrifice myself for my love. I feel in myself a superabundance of energy which finds
no outlet in our quiet life.”
―
Leo Tolstoy
“I am not strange but I feel queer. I am like that sometimes. I feel like crying all the time. It is
very silly but it will pass.
―
Leo Tolstoy
“Her motherly instinct told her that there was too much of something in Natasha, and that it
would prevent her from being happy.”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
“There was no solution but that usual solution which life gives to all questions, even the
most complex and insoluble. That answer one must live in the needs of one that - that is,
forget oneself.”
―
Leo Tolstoy
“It's not those who are handsome we love, but those we love who are handsome.”
―
Leo Tolstoy
“People often think the question of non-resistance to evil by force is a theoretical one, which
can be neglected. Yet this question is presented by life itself to all men, and calls for some
answer from every thinking man. Ever since Christianity has been outwardly professed, this
question is for men in their social life like the question which presents itself to a traveler when
the road on which he has been journeying divides into two branches.
He must go on and he cannot say: I will not think about it, but will go on just as I did before.
There was one road, now there are two, and he must make his choice.”
―
Leo Tolstoy
“Self-conceit is a sentiment entirely incompatible with genuine sorrow, and it is so firmly
engrafted on human nature that even the most profound sorrow can seldom expel it
altogether. Vanity in sorrow expresses itself by a desire to appear either stricken with grief or
unhappy or brave: and this ignoble desire which we do not acknowledge but which hardly ever
leaves us even in the deepest trouble robs our grief of its strength, dignity and sincerity.”
―
Leo Tolstoy
