“Art is not, as the metaphysicians say, the manifestation of some mysterious idea of beauty
or God; it is not, as the aesthetical physiologists say, a game in which man lets off his excess
of stored-up energy; it is not the expression of man's emotions by external signs; it is not the
production of pleasing objects; and, above all, it is not pleasure; but it is a means of union
among men, joining them together in the same feelings, and indispensable for the life and
progress toward well-being of individuals and of humanity.”
―
Leo Tolstoy
Attack me, I do this myself, but attack me rather than the path I follow and which I point out
to anyone who asks me where I think it lies. If I know the way home and am walking along it
drunkenly, is it any less the right way because I am staggering from side to side! If it is not the
right way, then show me another way; but if I stagger and lose the way, you must help me, you
must keep me on the true path, just as I am ready to support you. Do not mislead me, do not
be glad that I have got lost, do not shout out joyfully: “Look at him! He said he was going
home, but there he is crawling into a bog!” No, do not gloat, but give me your help and
support.”
―
Leo Tolstoy
“The man who ten years earlier and one year later was considered a bandit and outlaw is
sent a two-day sail from France, to an island given into his possession, with his guards and
several million, which are paid to him for some reason.”
―
Leo Tolstoy
The delusion of the joys of life that had formerly stifled my fear of the dragon no longer
deceived me. No matter how many times I am told: you cannot understand the meaning of life,
do not thinking about it but live, I cannot do so because I have already done it for too long.
Now I cannot help seeing day and night chasing me and leading me to my death. This is all I
can see because it is the only truth. All the rest is a lie
―
Leo Tolstoy
“Indeed, ask every man separately whether he thinks it laudable and worthy of a man of this
age to hold a position from which he receives a salary disproportionate to his work; to take
from the people--often in poverty--taxes to be spent on constructing cannon, torpedoes, and
other instruments of butchery, so as to make war on people with whom we wish to be atpeace, and who feel the same wish in regard to us; or to receive a salary for devoting one's
whole life to constructing these instruments of butchery, or to preparing oneself and others for
the work of murder.”
―
Leo Tolstoy
“She danced the dance so well, so well indeed, so perfectly, that Anisya Fyodorovna, who
handed her at once the kerchief she needed in the dance, had tears in her eyes, though she
laughed as she watched that slender and graceful little countess, reared in silk and velvet,
belonging to another world than hers, who was yet able to understand all that was in Anisya
and her father and her mother and her aunt and every Russian soul.”
―
Leo Tolstoy
“There are two aspects to the life of every man: the personal life, which is free in proportion
as its interests are abstract, and the elemental life of the swarm, in which a man must
inevitably follow the laws laid down for him.
Consciously a man lives on his own account in freedom of will, but he serves as an
unconscious instrument in bringing about the historical ends of humanity. An act he has once
committed is irrevocable, and that act of his, coinciding in time with millions of acts of others,
has an historical value. The higher a man's place in the social scale, the more connections has
with others, and the more power he has over them, the more conspicuous is the inevitability
and predestination of every act he commits. "The hearts of kings are in the hand of God." The
king is the slave of history.”
―
Leo Tolstoy
“Eveyrbody thinks of changing Humanity..and nobody thinks of changing Himself...”
―
Leo Tolstoy
“The most important acts, both for the one who accomplishes them and for his fellow
creatures, are those that have remote consequences.”
―
Leo Tolstoy
“As soon as she had gone out, swift, swift light steps sounded on the parquet, and his bliss,
his life, himself - what was best in himself, what he had so long sought and longed for - was
quickly, so quickly approaching him. She did not walk but seemed, by some unseen force, to
float to him. He saw nothing but her clear, truthful eyes, frightened by that same bliss of love
that flooded his heart. Those eyes were shining nearer and nearer, blinding him with their light
of love. She stopped close to him, touching him. Her hands rose and dropped on his
shoulders.
―
Leo Tolstoy
“I'd rather end up wishing I hadn’t than end up wishing I had.”
―
Leo Tolstoy
“So you make a sacrifice!' he threw special emphasis on the last word. 'Well, so do I. What
could be better? We complete in generosity--what an example of family happiness!”
―
Leo Tolstoy
“he was one of those diplomats who like and know how to work, and, despite his laziness,
he occasionally spent nights at his desk.”
―
Leo Tolstoy
“What is bad? What is good? What should one love, what hate? Why live, and what am I?
What is lie,what is death? What power rules over everything?" he asked himself. And there
was no answer to any of these questions except one, which was not logical and was not at all
an answer to these questions. This answer was: "You will die--and everything will end. You will
die and learn everything--or stop asking.”
―
Leo Tolstoy
“And I, too, am the same... only there is no love in my heart, or desire for love, no interest
in work, not contentment in myself. And how remote and impossible my old religious
enthusiasms seem now... and my former abounding life! What once seemed so plain and right
– that happiness lay in living for others – is unintelligible now. Why live for others, when life
has not attractions even for oneself?”
―
Leo Tolstoy
