“When a man sees a dying animal, horror comes over him: that which he himself is, his
essence, is obviously being annihilated before his eyes--is ceasing to be. But when the dying
one is a person, and a beloved person, then, besides a sense of horror at the annihilation of
life, there is a feeling of severance and a spiritual wound which, like a physical wound,
sometimes kills and sometimes heals, but always hurts and fears any external, irritating
touch.”
―
Leo Tolstoy
“-Why are you so sad? Because you speak to me in words and I look at you with feelings.”
―
Leo Tolstoy
“Higher and higher receded the sky, wider and wider spread the streak of dawn, whiter
grew the pallid silver of the dew, more lifeless the sickle of the moon...”
―
Leo Tolstoy
“A man of the present day, whether he believes in the divinity of Christ or not, cannot fail to
see that to assist in the capacity of tzar, minister, governor, or commissioner in taking from a
poor family its last cow for taxes to be spent on cannons, or on the pay and pensions of idle
officials, who live in luxury and are worse than useless; or in putting into prison some man we
have ourselves corrupted, and throwing his family on the streets; or in plundering and
butchering in war; or in inculcating savage and idolatrous superstitious in the place of the lawof Christ; or in impounding the cow found on one's land, though it belongs to a man who has
no land; or to cheat the workman in a factory, by imposing fines for accidentally spoiled
articles; or making a poor man pay double the value for anything simply because he is in the
direst poverty;--not a man of the present day can fail to know that all these actions are base
and disgraceful, and that they need not do them. They all know it. ”
―
Leo Tolstoy
“They had supper and went away, and Ivan Ilyich was left alone with the consciousness
that his life was poisoned and was poisoning the lives of others, and that this poison did not
weaken but penetrated more and more deeply into his whole being.
―
Leo Tolstoy
“In order to undertake anything in family life, it is necessary that there be either complete
discord between the spouses or loving harmony.”
―
Leo Tolstoy
“She saw that they felt themselves alone in that crowded room. And Vronsky’s face, always
so firm and independent, held that look that had struck her, of bewilderment and humble
submissiveness, like the expression of an intelligent dog when it has done wrong.
Anna smiled, and her smile was reflected by him. She grew thoughtful, and he became
serious. Some supernatural force drew Kitty’s eyes to Anna’s face. She was enchanting in her
simple black dress, enchanting were her round arms with their bracelets, enchanting was her
firm neck with its thread of pearls, fascinating the straying curls of her loose hair, enchanting
the graceful, light movements of her little feet and hands, enchanting was that lovely face in its
animation, but there was something terrible and cruel about her charm.”
―
Leo Tolstoy
“You're not racing?" joked the officer.
"Mine is a harder race," Alexei Alexandrovich replied respectfully.
And though the reply did not mean anything, the officer pretended that he had heard a clever
phrase from a clever man and had perfectly understood.”
―
Leo Tolstoy
“She put both her hands on his shoulders and gazed at him long, with a deep look of
ecstasy and yet searchingly. She scrutinized his face to make up for the time she had not
seen him. She compared, as she did at every interview with him, the image her fancy painted
of him (incomparably finer than, and impossible in actual existence) with his real self”
―
Leo Tolstoy
“She was in that highly-wrought state when the reasoning powers act with great rapidity: the
state a man is in before a battle or a struggle, in danger, and at the decisive moments of life -
those moments when a man shows once and for all what he is worth, that his past was not
lived in vain but was a preparation for these moments.”
―
Leo Tolstoy
“It's too easy to criticize a man when he's out of favour, and to make him shoulder the
blame for everybody else's mistakes.”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
“marveling at this boldness and ease in her presence, and not for one second losing sight
of her, though he did not look at her. He felt as though the sun were coming near him.”
―
Leo Tolstoy
“And those who only know the non-platonic love have no need to talk of tragedy. In such
love there can be no sort of tragedy.”
―
Leo Tolstoy
“For the first time in his life he knew the bitterest sort of misfortune, misfortune beyond
remedy, misfortune his own fault.”
―
Leo Tolstoy
