“Art is the uniting of the subjective with the objective, of nature with reason, of the
unconscious with the conscious, and therefore art is the highest means of knowledge.”
―
Leo Tolstoy
“Her face was brilliant and glowing; but this glow was not one of brightness; it suggested
the fearful glow of a conflagration in the midst of a dark night.”
―
Leo Tolstoy
“...but most of all he liked to listen to stories of real life. He smiled gleefully as he listened to
such stories, putting in words and asking questions, all aiming at bringing out clearly the moral
beauty of the action of which he was told. Attachments, friendships, love, as Pierre understood
them, Karataev had none, but he loved and lived on affectionate terms with every creature
with whom he was thrown in life, and especially so with man- not with any particular man, but
with the men that happened to be before his eyes.
But his life, as he looked at it, had no meaning as a separate life. It only had meaning as part
of a whole, of which he was at all times conscious.”
―
Leo Tolstoy
“But it seems to me that a man cannot and ought not to say that he loves, he said. Why
not? I asked. Because it will always be a lie. As though it were a strange sort of discovery that
someone is in love! Just as if, as soon as he said that, something went snap-bang - he loves.
Just as if, when he utters that word, something extraordinary is bound to happen, with signs
and portents, and all the cannons firing at once. It seems to me, he went on, that people who
solemnly utter those words, 'I love you,' either deceive themselves, or what's still worse,
deceive others.”
―
Leo Tolstoy
“... for nightinggales - we know - can’t live on fairytales.”
―
Leo Tolstoy
“The best stories don't come from "good vs. bad" but "good vs. good.”
―
Leo Tolstoy
“Natasha, with a vigorous turn from her heel on to her toe, walked over to the middle of the
room and stood still... Natasha took the first note, her throat swelled, her bosom heaved, a
serious expression came into her face. She was thinking of no one and of nothing at that
moment, and from her smiling mouth poured forth notes, those notes that anyone can produce
at the same intervals, and hold for the same length of time, yet a thousand times leave us
cold, and the thousand and first time they set us thrilling and weeping.”
―
Leo Tolstoy
“Pierre’s heart thrilled to these words as he gazed with shining eyes into the mason’s face.
He listened without interrupting or asking any questions, and with all his soul he believed what
this stranger was saying to him. Whether he was believing rational arguments coming from the
mason, or trusting more like a child in the persuasive intonation, the sense of authority, the
sincerity of the words spoken, the quavering voice that sometimes seemed on the verge of
breaking down, or the gleaming aged eyes grown old in that conviction, or the tranquillity, the
certainty and true sense of vocation radiating from the old man’s whole being and striking
Pierre very forcibly, given the state of his own debasement and despair – whatever was
happening to him, he longed to believe with all his soul, and he did believe and he felt a joyful
sense of calm, renewal and return to life.”
―
Leo Tolstoy
“They had to return to the one sure and never-failing resource- slander.”
―
Leo Tolstoy
“As a man cannot lift a mountain, and as a kindly man cannot kill an infant, so a man living
the Christian life cannot take part in deeds of violence. Of what value then to him are
arguments about the imaginary advantages of doing what is morally impossible for him to do?”
―
Leo Tolstoy
“Her maternal instinct told her Natasha had too much of something, and because of this she
would not be happy”
―
Leo Tolstoy
“So that's what it is!" he suddenly exclaimed aloud. "What joy!”
―
Leo Tolstoy
“The greater number of the young women, who envied Anna and had long been weary of
hearing her called virtuous, rejoiced at the fulfillment of their predictions, and were only waiting
for a decisive turn in public opinion to fall upon her with all the weight of their scorn. They were
already making ready their handfuls of mud to fling at her when the right moment arrived.”
―
Leo Tolstoy
“That only shows you have no heart,’ she said. But her eyes said that she knew he had a
heart, and that was why she was afraid of him”
―
Leo Tolstoy
“Rostov kept thinking about that brilliant feat of his, which, to his surprise, had gained him
the St. George Cross and even given him the reputation of a brave man - and there wassomething in it that he was unable to understand. "So they're even more afraid than we are!"
he thought. "So that's all there is to so-called heroism? And did I really do it for the fatherland?
And what harm had he done, with his dimple and his light blue eyes? But how frightened he
was! He thought I'd kill him. Why should I kill him? My hand faltered. And they gave me the St.
George Cross. I understand nothing, nothing!”
―
Leo Tolstoy
