“Even in the valley of the shadow of death, two and two do not make six.”
―
Leo Tolstoy
“The example of a syllogism that he had studied in Kiesewetter's logic: Caius is a man, men
are mortal, therefore Caius is mortal, had throughout his whole life seemed to him right only in
relation to Caius, but not to him at all.”
―
Leo Tolstoy
“He knew that Vronsky could not be prevented from amusing himself with painting; he knew
that he and all dilettanti had a perfect right to paint what they liked, but it was distasteful to
him. A man could not be prevented from making himself a big wax doll, and kissing it. But if
the man were to come with the doll and sit before a man in love, and began caressing his doll
as the lover caressed the woman he loved, it would be distasteful to the lover. Just such a
distasteful sensation was what Mihailov felt at the sight of Vronsky’s painting: he felt it both
ludicrous and irritating, both pitiable and offensive.”
―
Leo Tolstoy
“Thus the truth—that his life should be directed by the spiritual element which is its basis,
which manifests itself as love, and which is so natural to man—this truth, in order to force a
way to man’s consciousness, had to struggle not merely against the obscurity with which it
was expressed and the intentional and unintentional distortions surrounding it, but also against
deliberate violence, which by means of persecutions and punishments sought to compel men
to accept religious laws authorized by the rulers and conflicting with the truth.”
―
Leo Tolstoy
“Looking into Napoleon's eyes, Prince Andrei thought about the insignificance of grandeur,
about the insignificance of life, the meaning of which no one could understand, and about the
still greater insignificance of death, the meaning of which no one among the living could
understand or explain.”
―
Leo Tolstoy
“But perhaps it is always so, that men form their conceptions from fictitious, conventional
types, and then—all the combinations made—they are tired of the fictitious figures and begin
to invent more natural, true figures.”
―
Leo Tolstoy
“A Frenchman's self-assurance stems from his belief that he is mentally and physically
irresistibly fascinating to both men and women. An Englishman's self-assurance is founded on
his being a citizen of the best organized state in the world and on the fact that, as an
Englishman, he always knows what to do, and that whatever he does as an Englishman is
unquestionably correct. An Italian is self-assured because he is excitable and easily forgets. A
Russian is self-assured simply because he knows nothing and does not want to know
anything, since he does not believe in the possibility of knowing anything fully.”
―
Leo Tolstoy
“The story of Ivan Ilyich life was of the simplest, most ordinary and therefore most terrible".
Tolstoy defines living an ordinary life as terrible - I really do have to agree!”
―
Leo Tolstoy
“Without knowledge of what I am and why I am here, it is impossible to live, and since I
cannot know that, I cannot live either. In an infinity of time, in an infinity of matter, and an
infinity of space a bubble-organism emerges while will exist for a little time and then burst, and
that bubble am I.”
―
Leo Tolstoy
“it is hard for anyone who is dissatisfied not to blame some one else, and especially the
person nearest of all to him, for the ground of his dissatisfaction.”
―
Leo Tolstoy
“There are men who call land theirs, yet have never set eyes on that land and have never
trodden it. There are men who call other men theirs, but yet have never set eyes on the other
men, and their sole relation to those other men consists of doing them evil. ”
―
Leo Tolstoy
“My writing is like those little carved baskets made in prisons...”
―
Leo Tolstoy
“In all human sorrow nothing gives comfort but love and faith, and that in the sight of
Christ's compassion for us no sorrow is trifling.”
―
Leo Tolstoy