“Music makes me forget myself, my real position; it transports me to some other position
not my own. Under the influence of music it seems to me that I feel what I do not really feel,
that I understand what I do not understand, that I can do what I cannot do. I explain it by the
fact that music acts like yawning, like laughter: I am not sleepy, but I yawn when I see
someone yawning; there is nothing for me to laugh at, but I laugh when I hear people
laughing.
Music carries me immediately and directly into the mental condition in which the man was who
composed it. My soul merges with his and together with him I pass from one condition into
another, but why this happens I don't know.”
―
Leo Tolstoy
“Doctoring her seemed to her as absurd as putting together the pieces of a broken vase.
Her heart was broken. Why would they try to cure her with pills and powders?”
―
Leo Tolstoy
“One must do one of two tings: either admit that the existing order of society is just, and
then stick up for one's rights in it;or acknowledge that you are enjoying unjust privileges, as i
do, and then enjoy them and be satisfied.”
―
Leo Tolstoy
“He could not be mistaken. There were no other eyes like those in the world. There was
only one creature in the world who could concentrate for him all the brightness and meaning of
life. It was she. It was Kitty.”
―
Leo Tolstoy
“Smiling with pleasure, they went through their memories, not sad, old people's memories,
but poetic, youthful ones, those impressions from the very distant past where dream merges
with reality, and they laughed softly, rejoicing at something.”
―
Leo Tolstoy
“In historical events great men-so called-are but the labels that serve to give a mane to an
event, and like labels, they have the last possible connection with the event itself. Every action
of theirs, that seems to them an act of their own free will, is in an historical sense not free at
all, but in bondage to the whole course of previous history, and predestined from all eternity.”
―
Leo Tolstoy
“The combination of causes of phenomena is beyond the grasp of the human intellect. But
the impulse to seek causes is innate in the soul of man. And the human intellect, with no
inkling of the immense variety and complexity of circumstances conditioning a phenomenon,
any one of which may be separately conceived of as the cause of it, snatches at the first and
most easily understood approximation, and says here is the cause.”
―
Leo Tolstoy
“There is no significant idea which cannot be explained to an intelligent twelve year old boy
in fifteen minutes.”
―
Leo Tolstoy
“It's not those who are handsome we love, but those we love who are handsome.”
―
Leo Tolstoy
“They ought to find out how to vaccinate for love, like smallpox.”
―
Leo Tolstoy
“There are two aspects to the life of every man: the personal life, which is free in proportion
as its interests are abstract, and the elemental life of the swarm, in which a man must
inevitably follow the laws laid down for him.
Consciously a man lives on his own account in freedom of will, but he serves as an
unconscious instrument in bringing about the historical ends of humanity. An act he has once
committed is irrevocable, and that act of his, coinciding in time with millions of acts of others,
has an historical value. The higher a man's place in the social scale, the more connections has
with others, and the more power he has over them, the more conspicuous is the inevitability
and predestination of every act he commits. "The hearts of kings are in the hand of God." The
king is the slave of history.”
―
Leo Tolstoy
“Every man had his personal habits, passions, and impulses toward goodness, beauty, and
truth.”
―
Leo Tolstoy
“The social conditions of life can only be improved by people exercising self-restraint.”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
