“Universal military service may be compared to the efforts of a man to prop up his falling
house who so surrounds it and fills it with props and buttresses and planks and scaffolding
that he manages to keep the house standing only by making it impossible to live in it.”
―
Leo Tolstoy
“It's wrong, what you say, and I beg you, if you're a good man, to forget what you've said, as I
forget it," she said at last.
―
Leo Tolstoy
“A man is like a fraction whose numerator is what he is and whose denominator is what he
thinks of himself. The larger the denominator, the smaller the fraction.”
―
Leo Tolstoy
“In his Petersburg world all people were divided into utterly opposed classes. One, the
lower class, vulgar, stupid, and, above all, ridiculous people, who believe that one husband
ought to live with the one wife whom he has lawfully married; that a girl should be innocent, a
woman modest, and a man manly, self-controlled, and strong; that one ought to bring up one's
children, earn one's bread, and pay one's debts; and various similar absurdities. This was the
class of old-fashioned and ridiculous people. But there was another class of people, the real
people. To this class they all belonged, and in it the great thing was to be elegant, generous,
plucky, gay, to abandon oneself without a blush to every passion, and to laugh at everything
else.”
―
Leo Tolstoy
“The vocation of every man and woman is to serve people. ”
―
Leo Tolstoy
“There are such repulsive faces in the world.”
―
Leo Tolstoy
“The acquisition by dishonest means and cunning,' said Levin, feeling that he was
incapable of clearly defining the borderline between honesty and dishonesty. 'Like the profits
made by banks,' he went on. 'This is evil, I mean, the acquisition of enormous fortunes without
work, as it used to be with the spirit monopolists. Only the form has changed. Le roi est mort,
vive le roi! Hardly were the monopolies abolished before railways and banks appeared: just
another way of making money without work.”
―
Leo Tolstoy
“To evoke in oneself a feeling one has once experienced, and having evoked it in oneself,
then by means of movements, lines, colors, sounds, or forms expressed in words, so to
transmit that feeling that others may experience the same feeling - this is the activity of art.”
―
Leo Tolstoy
"Why, whatever loathsome thoughts can you have?" asked Dolly, smiling.
―
Leo Tolstoy
“Anna had been preparing herself for this meeting, had thought what she would say to him,
but she did not succeed in saying anything of it; his passion mastered her. She tried to calm
him, to calm herself, but it was too late. His feeling infected her. Her lips trembled so that for a
long while she could say nothing.”
―
Leo Tolstoy
“If a man lives, then he believes in something. If he didn't believe that one must live for
something, then he wouldn't live. If he doesn't see and doesn't understand the illusoriness of
the finite, he believes in the infinite; if he does understand the illusoriness of the finite, he must
believe in the infinite without which one cannot live.”
―
Leo Tolstoy
“Consciously a man lives on his own account in freedom of willbut he serves as an
unconscious instrument in bringing about the historical ends of humanity. An act he has once
committed is irrecvocable, and that act of his, coinciding in time with millions of acts of others,
has an historical value... 'The hearts of kinds are in the hand of God.' The king is the slave of
history... Every action that seems to them an act of their own freewill, is in an historical sense
not free at all, but in bondage to the whole course of previous history, and predestined from all
eternity.”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
“He knew that Vronsky could not be prevented from amusing himself with painting; he knew
that he and all dilettanti had a perfect right to paint what they liked, but it was distasteful to
him. A man could not be prevented from making himself a big wax doll, and kissing it. But if
the man were to come with the doll and sit before a man in love, and began caressing his doll
as the lover caressed the woman he loved, it would be distasteful to the lover. Just such a
distasteful sensation was what Mihailov felt at the sight of Vronsky’s painting: he felt it both
ludicrous and irritating, both pitiable and offensive.”
―
Leo Tolstoy
