“But perhaps it is always so, that men form their conceptions from fictitious, conventional types, and then—all the combinations made—they are tired of the fictitious figures and begin to invent more natural, true figures.”

“What am I coming for?" he repeated, looking straight into her eyes. "You know that I have come to be where you are," he said; "I can't help it.”

“If you love me as you say you do,' she whispered, 'make it so that I am at peace.”

“We are all brothers, and yet I live by receiving a salary for arraigning, judging and punishing a thief or a prostitute, whose existence is conditioned by the whole consumption of my life.

“Just as a painter needs light in order to put the finishing touches to his picture, so I need an inner light, which I feel I never have enough of in the autumn.”

“That only shows you have no heart,’ she said. But her eyes said that she knew he had a heart, and that was why she was afraid of him”

“Who am I? I am that which thou hast searched for since thy baby eyes gazed wonderingly upon the world, whose horizon hides this real life from thee. I am that which in thy heart thou hast prayed for, demanded as thy birthright, although thou hast not known what it was. I am that which has lain in thy soul for hundreds and thousands of years. Sometimes I lay in thee grieving because thou didst not recognize me; sometimes I raised my head, opened my eyes, and extended my arms calling thee either tenderly and quietly, or strenuously, demanding that thou shouldst rebel against the iron chains which bound thee to the earth.”

“There are two aspects," Alexey Alexandrovitch resumed: "those who take part and those who look on; and love for such spectacles is an unmistakable proof of a low degree of development in the spectator, I admit, but . . .”

“I already love in you your beauty, but I am only beginning to love in you that which is eternal and ever precious – your heart, your soul. Beauty one could get to know and fall in love with in one hour and cease to love it as speedily; but the soul one must learn to know. Believe me, nothing on earth is given without labour, even love, the most beautiful and natural of feelings,But the more difficult the labour and hardship, the higher the reward,”

“Hell is the inability to love.”

“Though men in their hundreds of thousands had tried their hardest to disfigure that little corner of the earth where they had crowded themselves together, paving the ground with stones so that nothing could grow, weeding out every blade of vegetation, filling the air with the fumes of coal and gas, cutting down trees and driving away every beast and every bird -- spring, however, was still spring, even in the town. The sun shone warm, the grass, wherever it had not been scraped away, revived and showed green not only on the narrow strips of lawn on the boulevards but between the paving-stones as well, and the birches, the poplars and the wild cherry-trees were unfolding their sticky, fragrant leaves, and the swelling buds were bursting on the lime trees; the jackdaws, the sparrows and the pigeons were cheerfully getting their nests ready for the spring, and the flies, warmed by the sunshine, buzzed gaily along the walls. All were happy -- plants, birds, insects and children. But grown-up people -- adult men and women -- never left off cheating and tormenting themselves and one another. It was not this spring morning which they considered sacred and important, not the beauty of God's world, given to all creatures to enjoy -- a beauty which inclines the heart to peace, to harmony and to love. No, what they considered sacred and important were their own devices for wielding power over each other.”

“Natasha was happy as she had never been in her life. She was at that highest pitch of happiness, when one becomes completely good and kind, and disbelieves in the very possibility of evil, unhappiness, and sorrow.”

“We are all created to be miserable, and that we all know it, and all invent means of deceiving each other. And when one sees the truth, what is one to do?”

“He had the unlucky capacity many men have of seeing and believing in the possibility of goodness and truth, but of seeing the evil and falsehood of life too clearly to take any serious part in it.”

“Each man lives for himself, uses his freedom to achieve his personal goals, and feels with his whole being that right now he can or cannot do such-and-such an action; but as soon as he does it, this action, committed at a certain moment in time, becomes irreversible, and makes itself the property of history, in which is has not a free but a predestined significance. ”