“He saw either death or the approach of it everywhere. But his undertaking now occupied
him all the more. He had to live his life to the end, until death came. Darkness covered
everything for him; but precisely because of this darkness he felt that his undertaking was the
only guiding thread in this darkness, and he seized it and held on to it with all his remaining
strength.”
―
Leo Tolstoy
“Each man lives for himself, uses his freedom to achieve his personal goals, and feels with
his whole being that right now he can or cannot do such-and-such an action; but as soon as
he does it, this action, committed at a certain moment in time, becomes irreversible, and
makes itself the property of history, in which is has not a free but a predestined significance. ”
―
Leo Tolstoy
“If a man, before he passed from one stage to another, could know his future life in full
detail, he would have nothing to live for. It is the same with the life of humanity. If it had a
programme of the life which awaited it before entering a new stage, it would be the surest sign
that it was not living, nor advancing, but simply rotating in the same place
―
Leo Tolstoy
“Her glance, the touch of her hand, set him aflame. He kissed the palm of his hand where
she had touched it, and went home, happy in the sense that he had got nearer to the
attainment of his aims that evening...”
―
Leo Tolstoy
“This was his acknowledgment of the impossibility of changing a man's convictions by
words, and his recognition of the possibility of everyone thinking, feeling, and seeing things
each from his own point of view. This legitimate peculiarity of each individual which used to
excite and irritate Pierre now became a basis of the sympathy he felt for, and the interest he
took in, other people. The difference, and sometimes complete contradiction, between men's
opinions and their lives, and between one man and another, pleased him and drew from him
an amused and gentle smile.
―
Leo Tolstoy
“One must try to make one's life as pleasant as possible. I'm alive and it's not my fault,
which means I must somehow go on living the best I can, without bothering anybody, until I
die.'
'But what makes you live? With such thoughts, you'll sit without moving, without undertaking
anything...'
'Life won't leave one alone as it is.”
―
Leo Tolstoy
“There is nothing certain, nothing at all except the unimportance of everything I understand,
and the greatness of something incomprehensible but all-important.”
―
Leo Tolstoy
“I think that when you remember, remember, remember everything like that, you could go
on until you remember what was there before you were in the world. ”
―
Leo Tolstoy
“The example of a syllogism that he had studied in Kiesewetter's logic: Caius is a man, men
are mortal, therefore Caius is mortal, had throughout his whole life seemed to him right only in
relation to Caius, but not to him at all.”
―
Leo Tolstoy
What did that show? It showed that he had lived well, but thought badly.”
―
Leo Tolstoy
“Doctoring her seemed to her as absurd as putting together the pieces of a broken vase.
Her heart was broken. Why would they try to cure her with pills and powders?”
―
Leo Tolstoy
“Does it ever happen to you," Natasha said to her brother, when they had settled in the
sitting room, "does it ever happen to you that you feel there's nothing more - nothing; that
everything good has already happened? And it's not really boring, but sad?"
"As if it doesn't!" he said. "It's happened to me that everything's fine, everybody's merry, and it
suddenly comes into my head that it's all tiresome and we all ought to die....”
―
Leo Tolstoy
“I do not live when I loose belief in the existence of God. I should long ago have killed
myself had I not had a dim hope of finding Him. I live really live only when I feel him and seek
Him”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
