“The heroine of my writings is She, whom I love with all the forces of my being, She who
always was, is and will be beautiful, is Truth
―
Leo Tolstoy
“The subject of history is the life of peoples and mankind.”
―
Leo Tolstoy
“To tell the truth is very difficult, and young people are rarely capable of it.”
―
Leo Tolstoy
“When loving with human love one may pass from love to hatred, but divine love cannot
change.”
―
Leo Tolstoy
“With all my soul I longed to be in a position to join with the people in performing the rites of
their faith, but I could not do it. I felt that I would be lying to myself, mocking what was sacred
to me, if I were to go through with it.”
―
Leo Tolstoy
“I have discovered nothing. I have only found out what I knew. I understand the force that in
the past gave me life, and now too gives me life. I have been set free from falsity, I have found
the Master.”
―
Leo Tolstoy
“the very fact of the death of someone close to them aroused in all who heard about it, as
always, a feeling of delight that he had died and they hadn't.”
―
Leo Tolstoy
“Germans are self-confident on the basis of an abstract notion—science, that is, the
supposed knowledge of absolute truth. A Frenchman is self-assured because he regards
himself personally, both in mind and body, as irresistibly attractive to men and women. An
Englishman is self-assured, as being a citizen of the best-organized state in the world, and
therefore as an Englishman always knows what he should do and knows that all he does as
an Englishman is undoubtedly correct. An Italian is self-assured because he is excitable and
easily forgets himself and other people. A Russian is self-assured just because he knows
nothing and does not want to know anything, since he does not believe that anything can be
known.”
―
Leo Tolstoy
“Some one dear to one can be loved with human love; but an enemy can only be loved with
divine love.”
―
Leo Tolstoy
“oh God! what am I to do if I love nothing but fame and men's esteem?”
―
Leo Tolstoy
"Not a word, not a movement of yours will I ever forget, nor can I...”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
“Millions of men, renouncing their human feelings and reason, had to go from west to east
to slay their fellows, just as some centuries previously hordes of men had come from the east
to the west slaying their fellows.”
―
Leo Tolstoy
“In external ways Pierre had hardly changed at all. In appearance he was just what he used
to be. As before he was absent-minded and seemed occupied not with what was before his
eyes but with something special of his own. The difference between his former and present
self was that formerly when he did not grasp what lay before him or was said to him, he had
puckered his forehead painfully as if vainly seeking to distinguish something at a distance. At
present he still forgot what was said to him and still did not see what was before his eyes, but
he now looked with a scarcely perceptible and seemingly ironic smile at what was before him
and listened to what was said, though evidently seeing and hearing something quite different.
Formerly he had appeared to be a kindhearted but unhappy man, and so people had been
inclined to avoid him. Now a smile at the joy of life always played round his lips, and sympathy
for others shone in his eyes with a questioning look as to whether they were as contented as
he was, and people felt pleased by his presence.”
―
Leo Tolstoy
“When it is impossible to stretch the very elastic threads of historical ratiocination any
farther, when actions are clearly contrary to all that humanity calls right or even just, the
historians produce a saving conception of ‘greatness.’ ‘Greatness,’ it seems, excludes the
standards of right and wrong. For the ‘great’ man nothing is wrong, there is no atrocity for
which a ‘great’ man can be blamed.”
―
Leo Tolstoy
