“The worker picked up Pakhom’s spade, dug a grave, and buried him - six feet from head to heel, exactly the amount of land a man needs.”

“He meditated on the use to which he should put all the energy of youth which comes to a man only once in life. Should he devote this power, which is not the strength of intellect or heart or education, but an urge which once spent can never return, the power given to a man once only to make himself, or even – so it seems to him at the time – the universe into anything he wishes: should he devote it to art, to science, to love, or to practical activities? True, there are people who never have this urge: at the outset of life they place their necks under the first yoke that offers itself, and soberly toil away in it to the end of their days.”

“I killed the wife when I first tasted sensual joys without love, and then it was that I killed my wife.”

“To get rid of an enemy one must love him. ”

“As often happens between men who have chosen different pursuits, each, while in argument justifying the other's activity, despised it in the depth of his heart.”

“I often think how unfairly life's good fortune is sometimes distributed. ”

“In the midst of winter, I find within me the invisible summer...”

“As soon as she had gone out, swift, swift light steps sounded on the parquet, and his bliss, his life, himself - what was best in himself, what he had so long sought and longed for - was quickly, so quickly approaching him. She did not walk but seemed, by some unseen force, to float to him. He saw nothing but her clear, truthful eyes, frightened by that same bliss of love that flooded his heart. Those eyes were shining nearer and nearer, blinding him with their light of love. She stopped close to him, touching him. Her hands rose and dropped on his shoulders.

“Art is the uniting of the subjective with the objective, of nature with reason, of the unconscious with the conscious, and therefore art is the highest means of knowledge.”

“The goal of the artist is not to solve a question irrefutably, but to force people to love life in all its countless, inexhaustible manifestations.”

“She did worse than break the law, she broke the rules”

“Well, what is that to me? I can't see her!" she cried.”

“There is an old Eastern fable about a traveler who is taken unawares on the steppes by a ferocious wild animal. In order to escape the beast the traveler hides in an empty well, but at the bottom of the well he sees a dragon with its jaws open, ready to devour him. The poor fellow does not dare to climb out because he is afraid of being eaten by the rapacious beast, neither does he dare drop to the bottom of the well for fear of being eaten by the dragon. So he seizes hold of a branch of a bush that is growing in the crevices of the well and clings on to it. His arms grow weak and he knows that he will soon have to resign himself to the death that awaits him on either side. Yet he still clings on, and while he is holding on to the branch he looks around and sees that two mice, one black and one white, are steadily working their way round the bush he is hanging from, gnawing away at it. Sooner or later they will eat through it and the branch will snap, and he will fall into the jaws of the dragon. The traveler sees this and knows that he will inevitably perish. But while he is still hanging there he sees some drops of honey on the leaves of the bush, stretches out his tongue and licks them. In the same way I am clinging to the tree of life, knowing full well that the dragon of death inevitably awaits me, ready to tear me to pieces, and I cannot understand how I have fallen into this torment. And Itry licking the honey that once consoled me, but it no longer gives me pleasure. The white mouse and the black mouse – day and night – are gnawing at the branch from which I am hanging. I can see the dragon clearly and the honey no longer tastes sweet. I can see only one thing; the inescapable dragon and the mice, and I cannot tear my eyes away from them. And this is no fable but the truth, the truth that is irrefutable and intelligible to everyone.

“A good player who loses at chess is genuinely convinced hat he has lost because of a mistake, and he looks for this mistake in the beginning of his game, but forgets that there were also mistakes at ever step in the course of the game, that none of his moves was perfect. The mistake he pays attention to is conspicuous only because his opponent took advantage of it.”

“Self-conceit is a sentiment entirely incompatible with genuine sorrow, and it is so firmly engrafted on human nature that even the most profound sorrow can seldom expel it altogether. Vanity in sorrow expresses itself by a desire to appear either stricken with grief or unhappy or brave: and this ignoble desire which we do not acknowledge but which hardly ever leaves us even in the deepest trouble robs our grief of its strength, dignity and sincerity.”