“the superfluity of the comforts of like destroys all joy in satisfying one's needs, while great
freedom in the choice of occupation...is just what makes the choice of occupation insoluble
difficult and destroys the need and even the possibility of having an occupation.”
―
Leo Tolstoy
“He went down trying not to look long at her, as though she were the sun, but he saw her, as
one sees the sun, without looking.”
―
Leo Tolstoy
“With all my soul I longed to be in a position to join with the people in performing the rites of
their faith, but I could not do it. I felt that I would be lying to myself, mocking what was sacred
to me, if I were to go through with it.”
―
Leo Tolstoy
“Music makes me forget myself, my true condition, it carries me off into another state of
being, one that isn't my own: under the influence of music I have the illusion of feeling things I
don't really feel, of understanding things I don't understand, being able to do things I'm not
able to do (...) Can it really be allowable for anyone who feels like it to hypnotize another
person, or many other persons, and then do what he likes with them? Particularly if the
hypnotist is the first unscrupulous individual who happens to come along?”
―
Leo Tolstoy
“They had to return to the one sure and never-failing resource- slander.”
―
Leo Tolstoy
“When a man sees a dying animal, horror comes over him: that which he himself is, his
essence, is obviously being annihilated before his eyes--is ceasing to be. But when the dying
one is a person, and a beloved person, then, besides a sense of horror at the annihilation of
life, there is a feeling of severance and a spiritual wound which, like a physical wound,
sometimes kills and sometimes heals, but always hurts and fears any external, irritating
touch.”
―
Leo Tolstoy
“To say that a work of art is good, but incomprehensible to the majority of men, is the same
as saying of some kind of food that it is very good but that most people can’t eat it.”
―
Leo Tolstoy
“Answer me two more questions,’ said the King. ‘The first is, Why did the earth bear such
grain then and has ceased to do so now? And the second is, Why your grandson walks with
two crutches, your son with one, and you yourself with none? Your eyes are bright, your teeth
sound, and your speech clear and pleasant to the ear. How have these things come about?’
And the old man answered:
‘These things are so, because men have ceased to live by their own labour, and have taken to
depending on the labour of others. In the old time, men lived according to God’s law. They had
what was their own, and coveted not what others had produced.”
―
Leo Tolstoy
“The chief reason why the prince was so particularly disagreeable to Vronsky was that he
could not help seeing himself in him. And what he saw in this mirror did not gratify his self-
esteem. He was a very stupid and very self-satisfied and very healthy and very well-washed
man, and nothing else... He was equable and not cringing with his superiors, was free and
ingratiating in his behavior with his equals, and was contemptuously indulgent with his
inferiors... for this prince he was an inferior, and his contemptuous and indulgent attitude to
him revolted him.”
―
Leo Tolstoy
“The acquisition by dishonest means and cunning,' said Levin, feeling that he was
incapable of clearly defining the borderline between honesty and dishonesty. 'Like the profits
made by banks,' he went on. 'This is evil, I mean, the acquisition of enormous fortunes without
work, as it used to be with the spirit monopolists. Only the form has changed. Le roi est mort,
vive le roi! Hardly were the monopolies abolished before railways and banks appeared: just
another way of making money without work.”
―
Leo Tolstoy
“No one is satisfied with his position, but every one is satisfied with his wit”
―
Leo Tolstoy
“If I know the way home and am walking along it drunkenly, is it any less the right way
because I am staggering from side to side! ”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
“To every administrator, in peaceful, unstormy times, it seems that the entire population
entrusted to him moves only by his efforts, and in this consciousness of his necessity every
administrator finds the chief rewards for his labors and efforts. It is understandable that, as
long as the historical sea is calm, it must seem to the ruler-administrator in his frail little bark,
resting his pole against the ship of the people and moving along with it, that his efforts are
moving the ship. But once a storm arises, the sea churns up, and the ship begins to move my
itself, and then the delusion is no longer possible. The ship follows its own enormous,
independent course, the pole does not reach the moving ship, and the ruler suddenly, from his
position of power, from being a source of strength, becomes an insignificant, useless, and
feeble human being.”
―
Leo Tolstoy
I'm not living, I'm waiting for a solution that goes on and on being put off.”
―
Leo Tolstoy
