“He got up, wishing to go around, but the aunt handed him the snuffbox right over Helene,
behind her back. Helene moved forward so as to make room and, smiling, glanced around. As
always at soirees, she was wearing a gown in the fashion of the time, quite open in front and
back. Her bust, which had always looked like marble to Pierre, was now such a short distance
from him that he could involuntarily make out with his nearsighted eyes the living loveliness of
her shoulders and neck, and so close to his lips that he had only to lean forward a little to
touch her. He sensed the warmth of her body, the smell of her perfume, and the creaking of
her corset as she breathed. He saw not her marble beauty, which made one with her gown, he
saw and sensed all the loveliness of her body, which was merely covered by clothes. And
once he had seen it, he could not see otherwise, as we cannot return to a once-exposed
deception.”
―
Leo Tolstoy
“They haven’t an idea what happiness is; they don’t know that without our love, for us there
is neither happiness nor unhappiness—no life at all”
―
Leo Tolstoy
“I can never forget what is my whole life.”
―
Leo Tolstoy
“We exchanged disagreeable remarks. The impression of this first quarrel was terrible. I say
quarrel, but the term is inexact. It was the sudden discovery of the abyss that had been dug
between us.”
―
Leo Tolstoy
“There was within him a deep unexpressed conviction that all would be well, but that one
must not trust to this and still less speak about it, but must only attend to one's own work. And
he did his work, giving his whole strength to the task.”
―
Leo Tolstoy
“It's not given to people to judge what's right or wrong. People have eternally been mistaken
and will be mistaken, and in nothing more than in what they consider right and wrong.”
―
Leo Tolstoy
She had done all she could - she had run up to him and given herself up entirely, shyly,
blissfully. He put his arms around her and pressed his lips to her mouth that sought his kiss.”
―
Leo Tolstoy
“The pleasure lies not in discovering truth, but in searching for it.”
―
Leo Tolstoy
“Does it ever happen to you," Natasha said to her brother, when they had settled in the
sitting room, "does it ever happen to you that you feel there's nothing more - nothing; that
everything good has already happened? And it's not really boring, but sad?"
"As if it doesn't!" he said. "It's happened to me that everything's fine, everybody's merry, and it
suddenly comes into my head that it's all tiresome and we all ought to die....”
―
Leo Tolstoy
“How can he talk like that?" thought Pierre. He considered his friend a model of perfection
because Prince Andrew possessed in the highest degree just the very qualities Pierre lacked,
and which might be best described as strength of will.”
―
Leo Tolstoy
“There is nothing, nothing certain but the nothingness of all that is comprehensible to us,
and the grandeur of something incomprehensible, but more important!”
―
Leo Tolstoy
“To claim that the supernatural and irrational form the basic characteristics of religion is
much the same as noticing only the rotten apples and then claiming that the basic features of
the fruit named apple are a flaccid bitterness and a harmful effect produced in the stomach.”
―
Leo Tolstoy
“I think love, both kinds of love, which you remember Plato defines in his "Symposium" -
both kinds of love serve a touchstone for men. Some men understand only the one, some only
the other. Those who understand only the non-platonic love need not speak of tragedy. For
such love there can be no tragedy. "Thank you kindly for the pleasure, good bye," and that's
the whole tragedy. And for the platonic love there can be no tragedy either, because there
everything is clear and pure.”
―
Leo Tolstoy
“He soon felt that the realization of his desire had given him only a grain of the mountain of
happiness he had expected. It showed him the eternal error people make in imagining that
happiness is the realization of desires.”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
