“Drama, instead of telling us the whole of a man's life, must place him in such a situation, tie
such a knot, that when it is untied, the whole man is visible.”
―
Leo Tolstoy
“The most important acts, both for the one who accomplishes them and for his fellow
creatures, are those that have remote consequences.”
―
Leo Tolstoy
“I often think that men don't understand what is noble and what is ignorant, though they always
talk about it.”
―
Leo Tolstoy
“At moments of departure and a change of life, people capable of reflecting on their actions
usually get into a serious state of mind. At these moments they usually take stock of the past
and make plans for the future.”
―
Leo Tolstoy
“The march of humanity, springing as it does from an infinite multitude of individual wills, is
continuous.”
―
Leo Tolstoy
“The only absolute knowledge attainable by man is that life is meaningless.”
―
Leo Tolstoy
“Why does an apple fall when it is ripe? Is it brought down by the force of gravity? Is it
because its stalk withers? Because it is dried by the sun, because it grows too heavy, or
because the boy standing under the tree wants to eat it? None of these is the cause.... Every
action of theirs, that seems to them an act of their own freewill is in the historical sense not
free at all but is bound up with the whole course of history and preordained from all eternity.”
―
Leo Tolstoy
“He stepped down trying not to look long at her, as though she were the sun, yet he saw
her as one sees the sun, without looking.”
―
Leo Tolstoy
“Life did not stop, and one had to live.”
―
Leo Tolstoy
“Talent is the capacity to direct concentrated attention upon the subject: "the gift of seeing
what others have not seen.”
―
Leo Tolstoy
“Without knowing what I am and why I am here, life's impossible; and that I can't know, and
so I can't live," Levin said to himself.”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
“Sometimes he remembered having heard how soldiers under fire in the trenches, and
having nothing to do, try hard to find some occupation the more easily to bear the danger. It
seemed to Pierre that all men were like those soldiers, seeking refuge from life: some in
ambition, some in cards, some in framing laws, some in women, some in playthings, some in
horses, some in politics, some in sport, some in wine, and some in government service.
'Nothing is without consequence, and nothing is important: it's all the same in the end. The
thing to do is to save myself from it all as best I can,' thought Pierre. Not to see IT, that terrible
IT.”
―
Leo Tolstoy
“Even in the valley of the shadow of death, two and two do not make six.”
―
Leo Tolstoy
“I wrote everything into Anna Karenina, and nothing was left over.”
―
Leo Tolstoy
