“Art is not a handicraft; it is the transmission of feeling the artist has experienced.
―
Leo Tolstoy
“As long as there are slaughter houses there will always be battlefields.”
―
Leo Tolstoy
“nothing has contributed so much to the obscuring of Christian truth in the eyes of the
heathen, and has hindered so much the diffusion of Christianity through the world, as the
disregard of [non-resistance] by men calling themselves Christians, and the permission of war
and violence to Christians.
―
Leo Tolstoy
“The same talk, the same thoughts, and always about the same things! And they are all
satisfied and confident that it should be so, and will go on living like that till they die.”
―
Leo Tolstoy
“either you are so underdeveloped that you can't see all that you can do, or you won't
sacrifice your ease, your vanity, or whatever it is, to do it...”
―
Leo Tolstoy
“without knowing who I am and why I’m here it is impossible to live. Yet I cannot know that
and therefore I cannot live”
―
Leo Tolstoy
“With friends, one is well; but at home, one is better.”
―
Leo Tolstoy
“That which constitutes the cause of the economic poverty of our age is what the English
call over-production (which means that a mass of things are made which are of no use to
anybody, and with which nothing can be done).”
―
Leo Tolstoy
“God forgive me everything!’ she said, feeling the impossibility of struggling...”
―
Leo Tolstoy
“I am not strange but I feel queer. I am like that sometimes. I feel like crying all the time. It is
very silly but it will pass.
―
Leo Tolstoy
“Power is the sum total of the wills of the mass, transfered by express or tactic agreement
to rulers chosen by the masses.”
―
Leo Tolstoy
“He was much changed and grown even thinner since Pyotr Ivanovich had last seen him,
but, as is always the case with the dead, his face was handsomer and above all more dignified
than than when he was alive.”
―
Leo Tolstoy
“But she did not take her eyes from the wheels of the second car. And exactly at the
moment when the midpoint between the wheels drew level with her, she threw away the red
bag, and drawing her head back into her shoulders, fell on her hands under the car, and with a
light movement, as though she would rise immediately, dropped on her knees. And at the
instant she was terror-stricken at what she was doing. 'Where am I? What am I doing? What
for?' She tried to get up, to throw herself back; but something huge and merciless struck her
on the head and dragged her down on her back
―
Leo Tolstoy
“No, you’re going in vain,” she mentally addressed a company in a coach-and-four who
were evidently going out of town for some merriment. “And the dog you’re taking with you
won’t help you. You won’t get away from yourselves.”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
