“When an apple has ripened and falls, why does it fall? Because of its attraction to the earth, because its stalk withers, because it is dried by the sun, because it grows heavier, because the wind shakes it, or because the boy standing below wants to eat it?”

― Leo Tolstoy

“vegetarianism is the taproot of humanitarianism.”

― Leo Tolstoy

“He had learned that, as there is no situation in the world in which a man can be happy and perfectly free, so there is no situation in which he can be perfectly unhappy and unfree.”

― Leo Tolstoy

“Each time of life has its own kind of love.”

― Leo Tolstoy

“My principal sin is doubt. I doubt everything, and am in doubt most of the time.”

― Leo Tolstoy

“He knew she was there by the joy and terror that took possession of his heart [...] Everything was lit up by her. She was the smile that brightened everything around.”

― Leo Tolstoy

“... for nightinggales - we know - can’t live on fairytales.”

― Leo Tolstoy

Many families remain for years in the same place, though both husband and wife are sick of it, simply because there is neither complete division nor agreement between them.”

― Leo Tolstoy

“Art is the uniting of the subjective with the objective, of nature with reason, of the unconscious with the conscious, and therefore art is the highest means of knowledge.”

― Leo Tolstoy

“Why does an apple fall when it is ripe? Is it brought down by the force of gravity? Is it because its stalk withers? Because it is dried by the sun, because it grows too heavy, or because the boy standing under the tree wants to eat it? None of these is the cause.... Every action of theirs, that seems to them an act of their own freewill is in the historical sense not free at all but is bound up with the whole course of history and preordained from all eternity.”

― Leo Tolstoy

“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha singing, and something new and blissful stirred in his soul. He was happy, and at the same time he was sad. He certainly had nothing to weep about, but he was ready to weep. For what? For his past love? For the little princess? For his lost illusions? For his hopes for the future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid sense of the fearful contrast between something infinitely great and illimitable existing in him, and something limited and material, which he himself was, and even she was. This contrast made his heart ache, and rejoiced him while she was singing.”

― Leo Tolstoy

“The latter part of her stay in Voronezh had been the happiest period in Princess Marya's life. Her love for Rostov was not then a source of torment or agitation to her. That love had by then filled her whole soul and become an inseparable part of herself, and she no longer struggled against it. Of late Princess Marya was convinced- though she never clearly in so many words admitted it to herself- that she loved and was beloved.”

― Leo Tolstoy

“So he lived, not knowing and not seeing any chance of knowing what he was and for what purpose he had been placed in the word.”

― Leo Tolstoy

“For love? What antediluvian notions you have! Can one talk of love in these days?" said the ambassador's wife. "What's to be done? It's a foolish old fashion that's kept up still," said Vronsky.”

― Leo Tolstoy

“...there was apparent in all a sort of anxiety, a softening of the heart, and a consciousness of some great, unfathomable mystery being accomplished... the most solemn mystery in the world was being accomplished. Evening passed, night came on. And the feeling of suspenseand softening of the heart before the unfathomable did not wane, but grew more intense. No one slept.”

― Leo Tolstoy


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