“...the more he did nothing, the less time he had to do anything.”
―
Leo Tolstoy
“If a man aspires to a righteous life, his first act of abstinence if from injury to animals.”
―
Leo Tolstoy
“Formerly (it had begun almost from childhood and kept growing till full maturity), whenever
he had tried to do something that would be good for everyone, for mankind, for Russia, for the
district, for the whole village, he had noticed that thinking about it was pleasant, but the doing
itself was always awkward, there was no full assurance that the thing was absolutely
necessary, and the doing itself, which at the start had seemed so big, kept diminishing and
diminishing, dwindling to nothing; while now, after his marriage, when he began to limit himself
more and more to living for himself, though he no longer experienced any joy at the thought of
what he was doing, he felt certain that his work was necessary, saw that it turned out much
better than before and that it was expanding more and more.”
―
Leo Tolstoy
“he was one of those diplomats who like and know how to work, and, despite his laziness,
he occasionally spent nights at his desk.”
―
Leo Tolstoy
“All this was clear to me, and I was glad and at peace. Then it is as if someone is saying to
me, "See that you remember." And I awoke.”
―
Leo Tolstoy
“Ivan Ilych had been a colleague of the gentlemen present and was liked by them all. He
had been ill for some weeks with an illness said to be incurable. His post had been kept open
for him, but there had been conjectures that in case of his death Alexeev might receive his
appointment, and that either Vinnikov or Shtabel would succeed Alexeev. So on receiving the
news of Ivan Ilych's death the first thought of each of the gentlemen in that private room was
of the changes and promotions it might occasion among themselves or their acquaintances.”
―
Leo Tolstoy
“Every general and every soldier was conscious of his own insignificance, aware of being
but a drop in that ocean of men, and yet at the same time was conscious of his strength as a
part of that enormous whole.”
―
Leo Tolstoy
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
―
Leo Tolstoy
“the superfluity of the comforts of like destroys all joy in satisfying one's needs, while great
freedom in the choice of occupation...is just what makes the choice of occupation insoluble
difficult and destroys the need and even the possibility of having an occupation.”
―
Leo Tolstoy
“I was wrong when I said that I did not regret the past. I do regret it; I weep for the past love
which can never return. Who is to blame, I do not know. Love remains, but not the old love; its
place remains, but it is all wasted away and has lost all strength and substance; recollections
are still left, and gratitude; but...”
―
Leo Tolstoy
“Man cannot possess anything as long as he fears death. But to him who does not fear it,
everything belongs. If there was no suffering, man would not know his limits, would not know
himself.
―
Leo Tolstoy
“There is an old Eastern fable about a traveler who is taken unawares on the steppes by a
ferocious wild animal. In order to escape the beast the traveler hides in an empty well, but at
the bottom of the well he sees a dragon with its jaws open, ready to devour him. The poor
fellow does not dare to climb out because he is afraid of being eaten by the rapacious beast,
neither does he dare drop to the bottom of the well for fear of being eaten by the dragon. So
he seizes hold of a branch of a bush that is growing in the crevices of the well and clings on to
it. His arms grow weak and he knows that he will soon have to resign himself to the death that
awaits him on either side. Yet he still clings on, and while he is holding on to the branch he
looks around and sees that two mice, one black and one white, are steadily working their way
round the bush he is hanging from, gnawing away at it. Sooner or later they will eat through it
and the branch will snap, and he will fall into the jaws of the dragon. The traveler sees this and
knows that he will inevitably perish. But while he is still hanging there he sees some drops of
honey on the leaves of the bush, stretches out his tongue and licks them. In the same way I
am clinging to the tree of life, knowing full well that the dragon of death inevitably awaits me,
ready to tear me to pieces, and I cannot understand how I have fallen into this torment. And Itry licking the honey that once consoled me, but it no longer gives me pleasure. The white
mouse and the black mouse – day and night – are gnawing at the branch from which I am
hanging. I can see the dragon clearly and the honey no longer tastes sweet. I can see only
one thing; the inescapable dragon and the mice, and I cannot tear my eyes away from them.
And this is no fable but the truth, the truth that is irrefutable and intelligible to everyone.
―
Leo Tolstoy
“Real science studies and makes accessible that knowledge which people at that period of
history think important, and real art transfers this truth from the domain of knowledge to the
domain of feelings.”
―
Leo Tolstoy
“And you know, there's less charm in life when you think about death--but it's more peaceful.”
―
Leo Tolstoy