“Deliver me, O Jesus, From the desire of being loved, From the desire of being extolled, From the desire of being honored, From the desire of being praised, From the desire of being preferred, From the desire of being consulted, From the desire of being approved, From the desire of being popular, From the fear of being humiliated, From the fear of being despised, From the fear of suffering rebukes, From the fear of being calumniated, From the fear of being forgotten, From the fear of being wronged, From the fear of being ridiculed, From the fear of being suspected.”
“I sit on a man's back choking him and making him carry me, and yet assure myself and others
that i am sorry for him and wish to lighten his load by all means possible....except by getting
off his back.”
“I discovered that night (in his college's student politics) that an audience has a feel to it, and, in the parlance of the theater, that audience and I were together.”
“And she never could remember; and ever since that day what Lucy means by a good story is a story which reminds her of the forgotten story in the Magician's Book.”
“I have from my experience come to the conclusion that Gita has been composed to teach this one truth which I have explained. We can follow truth only in the measure that we shed our attachment to the ego.”
“Ingratitude to God does not rely only on our refusal to give the verbal thanksgiving due to Him, but also recides in our inability to appreciate his gifts and potentials in us by leaving them untapped.”
“the superfluity of the comforts of like destroys all joy in satisfying one's needs, while great
freedom in the choice of occupation...is just what makes the choice of occupation insoluble
difficult and destroys the need and even the possibility of having an occupation.”
“We are in the position of a little child, entering a huge library whose walls are covered to the ceiling with books in many different tongues. The child knows that someone must have written those books. It does not know who or how. It does not understand the languages in which they are written. The child notes a definite plan in the arrangement of the books, a mysterious order, which it does not comprehend, but only dimly suspects. That, it seems to me, is the attitude of the human mind, even the greatest and most cultured, toward God. We see a universe marvelously arranged, obeying certain laws, but we understand the laws only dimly. Our limited minds cannot grasp the mysterious force that sways the constellations.”
“But how can the characters in a play guess the plot? We are not the playwright, we are not the producer, we are not even the audience. We are on the stage. To play well the scenes in which we are "on" concerns us much more than to guess about the scenes that follow it.”
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