“The symbol of a drama, a symphony, or a dance is useful to correct a certain absurdity which may arise if we talk too much of God planning and creating the world for good and then being frustrated by the free will of the creatures. This may raise the ridiculous idea that the Fall to God by surprise and upset His plan, or else – more ridiculous still – that God planned the whole thing for conditions which, He well knew, were never going to be realized. In fact, of course, God saw the crucifixion in the act of creating the first nebulae. The world is a dance in which good, descending from God, is disturbed by evil arising from the creatures, and the resulting conflict is resolved by God's own assumption of the suffering nature which evil produces.”
“It’s encouraging to know that all of God’s closest friends — Moses, David, Abraham, Job, and others — had bouts with doubt. But instead of masking their misgivings with pious clichés, they candidly voiced them openly and publicly. Expressing doubt is sometimes the first step toward the next level of intimacy with God.”
“Stepan Arkadyich smiled. He knew so well this feeling of Levin's, knew that for him all the
girls in the world were divided into two sorts: one sort was all the girls in the world except her,
and these girls had all human weaknesses and were very ordinary girls; the other sort was her
alone, with no weaknesses and higher than everything human.”
“You have a traitor there, Aslan," said the Witch. Of course everyone present knew that she meant Edmund. But Edmund had got past thinking about himself after all he'd been through and after the talk he'd had that morning. He just went on looking at Aslan. It didn't seem to matter what the Witch said.”
“I don’t believe that young people today can live clean, pure lives without the help of God. The peer pressure is too great and the temptations they see in the movies and on television, and what they hear in their music is too much. Only Christ can give them the power to say no.”
“He was much changed and grown even thinner since Pyotr Ivanovich had last seen him,
but, as is always the case with the dead, his face was handsomer and above all more dignified
than than when he was alive.”
“I have to live with myself, and so I want to be fit for myself to know, I want to be able, as days go by, Always to look myself straight in the eye; I don’t want to stand, with the setting sun, And hate myself for things I have done. I don’t want to keep on a closet shelf A lot of secrets about myself, And fool myself, as I come and go, Into thinking that nobody else will know The kind of man I really am; I don’t want to dress up myself in sham. I want to go out with my head erect, I want to deserve all men’s respect; But here in the struggle for fame and pelf I want to be able to like myself. I don’t want to look at myself and know That I’m bluster and bluff and empty show. I can never hide myself from me; I see what others may never see; I know what others may never know, I never can fool myself, and so, Whatever happens, I want to be Self-respecting and conscience free.”
“There are moments in your life when you must act even though you cannot carry your best friends with you. The still small voice within you must always be the final arbiter when there is a conflict of duty.”
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