“If the direction of a horse can be changed by a bit in his mouth, and the direction of a ship can be changed by its small rudder, then I believe the direction of our lives can be changed by the words we let roll over our tongue.
“So God contacts you through your SPIRIT—not through your MIND, and not through your BODY—because He is a Spirit. He’s not a mind. He’s not a man. The Bible says He isn’t. Although He has a spirit-body over in the spirit world (angels do, too), God is not a PHYSICAL being. He is a Spirit. He contacts us through our spirit, and we contact Him through our spirit.”
“He who seeks one thing, and but one, May hope to achieve it before life is done. But he who seeks all things wherever he goes Must reap around him in whatever he sows A harvest of barren regret.”
“The attempt of Lavoisier to reform chemical nomenclature is premature. One single experiment may destroy the whole filiation of his terms; and his string of sulphates, sulphites, and sulphures, may have served no end than to have retarded the progress of science by a jargon, from the confusion of which time will be requisite to extricate us.”
“We must care about unbelievers because God does. Love leaves no choice. The Bible says, “There is no fear in love; perfect love drives out all fear.”18 A parent will run into a burning building to save a child because their love for that child is greater than their fear.”
“I have a reverential fear of God in my life, and I think we need a lot more of that. I believe that God is God, and I believe He means business. If He tells me to do something, He means it, and when He tells me not to do something, He means it.”
“He knew that Vronsky could not be prevented from amusing himself with painting; he knew
that he and all dilettanti had a perfect right to paint what they liked, but it was distasteful to
him. A man could not be prevented from making himself a big wax doll, and kissing it. But if
the man were to come with the doll and sit before a man in love, and began caressing his doll
as the lover caressed the woman he loved, it would be distasteful to the lover. Just such a
distasteful sensation was what Mihailov felt at the sight of Vronsky’s painting: he felt it both
ludicrous and irritating, both pitiable and offensive.”
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