“History may be a nightmare—an endless cycle of violence and oppression. Old victims of domination soon became new perpetrators of domination. We have seen this cycle over and over again: American revolutionaries dominating Indigenous peoples and defending slavery, anti-colonial heroes becoming dictators, anti-racists supporting patriarchy and homophobia, liberals crusading for imperial invasion and occupation. Such a nightmare radically calls into question the power of radical love in human history. For King, if we accept such a nightmare, then only self-destruction awaits us. To dream is to hold death at arm’s length. To love is to really be alive in history. Without radical love, nihilism triumphs—“power without compassion, might without morality, and strength without sight.”
“That which constitutes the cause of the economic poverty of our age is what the English
call over-production (which means that a mass of things are made which are of no use to
anybody, and with which nothing can be done).”
“One of life’s mysteries is why two children growing up in the same home sometimes take radically different paths—one following Christ, the other rebellious and scornful. Yet it happens.”
“To please God… to be a real ingredient in the divine happiness… to be loved by God, not merely pitied, but delighted in as an artist delights in his work or a father in a son- it seems impossible, a weight or burden of glory which our thoughts can hardly sustain. But so it is.”
“Five days a week, she came into my room at four in the morning, force-fed me breakfast, and proceeded to teach me my English lessons for three hours before I left for school and she went to work.”
“Can you remember your first taste of spice?” “It tasted like cinnamon.” “But never twice the same,” he said. “It’s like life—it presents a different face each time you take it. Some hold that the spice produces a learned-flavor reaction. The body, learning a thing is good for it, interprets the flavor as pleasurable—slightly euphoric. And, like life, never to be truly synthesized.”
“In any career, whether as a surgeon, a musician, or a secretary, one needs to have a confidence that says, “I can do anything, and if I can’t do it, I know how to get help.”
“We dance for laughter, we dance for tears, we dance for madness, we dance for fears, we dance for hopes, we dance for screams, we are the dancers, we create the dreams.”
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