“One big blow can hit and destroy any strong door in front of you. As for the 1000 feeble blows, they can’t even remove the cobwebs. Courage is the key.”
“Suppose one reads a story of filthy atrocities in the paper. Then suppose that something turns up suggesting that the story might not be quite true, or not quite so bad as it was made out. Is one's first feeling, 'Thank God, even they aren't quite so bad as that,' or is it a feeling of disappointment, and even a determination to cling to the first story for the sheer pleasure of thinking your enemies are as bad as possible? If it is the second then it is, I am afraid, the first step in a process which, if followed to the end, will make us into devils. You see, one is beginning to wish that black was a little blacker. If we give that wish its head, later on we shall wish to see grey as black, and then to see white itself as black. Finally we shall insist on seeing everything -- God and our friends and ourselves included -- as bad, and not be able to stop doing it: we shall be fixed for ever in a universe of pure hatred.”
“How can he talk like that?" thought Pierre. He considered his friend a model of perfection
because Prince Andrew possessed in the highest degree just the very qualities Pierre lacked,
and which might be best described as strength of will.”
“When you leave the familiar and enter the unknown, your fear becomes refined by experience and hammered into tools of survival on the anvil of anxiety.”
“SUCCESS REQUIRES NO APOLOGIES, FAILURE PERMITS NO ALIBIS.” If the thing you wish to do is right, and you believe in it, go ahead and do it! Put your dream across, and never mind what “they” say if you meet with temporary defeat, for “they,” perhaps, do not know that EVERY FAILURE BRINGS WITH IT THE SEED OF AN EQUIVALENT SUCCESS.”
“He got up, wishing to go around, but the aunt handed him the snuffbox right over Helene,
behind her back. Helene moved forward so as to make room and, smiling, glanced around. As
always at soirees, she was wearing a gown in the fashion of the time, quite open in front and
back. Her bust, which had always looked like marble to Pierre, was now such a short distance
from him that he could involuntarily make out with his nearsighted eyes the living loveliness of
her shoulders and neck, and so close to his lips that he had only to lean forward a little to
touch her. He sensed the warmth of her body, the smell of her perfume, and the creaking of
her corset as she breathed. He saw not her marble beauty, which made one with her gown, he
saw and sensed all the loveliness of her body, which was merely covered by clothes. And
once he had seen it, he could not see otherwise, as we cannot return to a once-exposed
deception.”
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