“[The fairy tale] stirs and troubles him (to his life-long enrichment) with the dim sense of something beyond his reach and, far from dulling or emptying the actual world, gives it a new dimension of depth. He does not despise real woods because he has read of enchanted woods: The reading makes all real woods a little enchanted.”
“I don't give a damn unless I'm fond of a person;but I'd sacrifice my life for those I am fond
of; the rest I'd throttle if they stood in my way...And you may not believe me but if I still set a
value on life it is only because I still hope one day to meet such a heavenly creature who will
regenarate me, purify me and elevate me. But you don't understand that.
“Art is not, as the metaphysicians say, the manifestation of some mysterious idea of beauty
or God; it is not, as the aesthetical physiologists say, a game in which man lets off his excess
of stored-up energy; it is not the expression of man's emotions by external signs; it is not the
production of pleasing objects; and, above all, it is not pleasure; but it is a means of union
among men, joining them together in the same feelings, and indispensable for the life and
progress toward well-being of individuals and of humanity.”
“We can never live this [Christian] life on the highest plane unless we are continually growing and moving forward. You should be closer to God today in heart, soul, and body than at any other time so far in your life.”
“The only way to make a spoilt machine work again is to break it down, work on its inner system and fix it again. Screw out the bolts of your life, examine and work on yourself, fix your life again and get going.”
“Supposing you hear a cry for help from a man in danger. You will probably feel two desires - one a desire to give help (due to your herd instinct), the other a desire to keep out of danger (due to the instinct for self-preservation). But you will find inside you, in addition to these two impulses, a third thing which tells you that you ought to follow the impulse to help, and suppress the impulse to run away. Now this thing that judges between two instincts, that decides which should be encouraged, cannot itself be either of them. You might as well say that the sheet of music which tells you, at a given moment, to play one note on the piano and not another, is itself one of the notes on the keyboard. The Moral Law tells us the tune we have to play: our instincts are merely the keys.”
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