“...but most of all he liked to listen to stories of real life. He smiled gleefully as he listened to
such stories, putting in words and asking questions, all aiming at bringing out clearly the moral
beauty of the action of which he was told. Attachments, friendships, love, as Pierre understood
them, Karataev had none, but he loved and lived on affectionate terms with every creature
with whom he was thrown in life, and especially so with man- not with any particular man, but
with the men that happened to be before his eyes.
But his life, as he looked at it, had no meaning as a separate life. It only had meaning as part
of a whole, of which he was at all times conscious.”
“The real trouble is that 'kindness' is a quality fatally easy to attribute to ourselves on quite inadequate grounds. Everyone feels benevolent if nothing happens to be annoying him at the moment. Thus a man easily comes to console himself for all his other vices by a conviction that 'his heart's in the right place' and 'he wouldn't hurt a fly,' though in fact he has never made the slightest sacrifice for a fellow creature. We think we are kind when we are only happy: it is not so easy, on the same grounds, to imagine oneself temperate, chaste, or humble.”
“The vision is about empowering workers, giving them all the information about what's going on so they can do a lot more than they've done in the past”
“nasionalisme terurai dalam sikap belaka dan bukan program konkret, setumpuk keluhan dan bukan kekuatan yang terorganisasi, gambar dan bunyi yang memadati gelombang udara dan percakapan, namun tanpa perwujudan jasadi.”
“He knew that Vronsky could not be prevented from amusing himself with painting; he knew
that he and all dilettanti had a perfect right to paint what they liked, but it was distasteful to
him. A man could not be prevented from making himself a big wax doll, and kissing it. But if
the man were to come with the doll and sit before a man in love, and began caressing his doll
as the lover caressed the woman he loved, it would be distasteful to the lover. Just such a
distasteful sensation was what Mihailov felt at the sight of Vronsky’s painting: he felt it both
ludicrous and irritating, both pitiable and offensive.”
“Keep the corners of your mouth turned up. Speak in a low, persuasive tone. Listen; be teachable. Laugh at good stories and learn to tell them...For as long as you are green, you can grow.”
“Has God designated any one person here on earth to speak with final authority about Him? No—the one Man who could do that lived two thousand years ago, and we crucified Him!”
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