“Quand la défaite surgit, acceptez-la comme le signal que
vos plans ne sont pas cohérents, reconstruisez ces plans, et
reprenez la voile une fois de plus vers vos aspirations. Si vous
abandonnez avant d’avoir atteint votre but, vous êtes un
“lâcheur”.”
“Build a solid courage behind what you believe you can do. Your dreams may drift and fall, but when your courage is strong and still, you can’t shift; you’ll lift your dreams again!”
“I do not think there is a demonstrative proof (like Euclid) of Christianity, nor of the existence of matter, nor of the good will and honesty of my best and oldest friends. I think all three are (except perhaps the second) far more probable than the alternatives. The case for Christianity in general is well given by Chesterton…As to why God doesn't make it demonstratively clear; are we sure that He is even interested in the kind of Theism which would be a compelled logical assent to a conclusive argument? Are we interested in it in personal matters? I demand from my friend trust in my good faith which is certain without demonstrative proof. It wouldn't be confidence at all if he waited for rigorous proof. Hang it all, the very fairy-tales embody the truth. Othello believed in Desdemona's innocence when it was proved: but that was too late. Lear believed in Cordelia's love when it was proved: but that was too late. 'His praise is lost who stays till all commend.' The magnanimity, the generosity which will trust on a reasonable probability, is required of us. But supposing one believed and was wrong after all? Why, then you would have paid the universe a compliment it doesn't deserve. Your error would even so be more interesting and important than the reality. And yet how could that be? How could an idiotic universe have produced creatures whose mere dreams are so much stronger, better, subtler than itself?”
“Now faith is the assurance (the confirmation, the title deed) of the things [we] hope for, being the proof of things [we] do not see and the conviction of their reality [faith perceiving as real fact what is not revealed to the senses]. —HEBREWS 11:1 You can close your eyes and see a disaster or you can choose to see victory.”
“After dinner Natasha went to the clavichord, at Prince Andrey's request, and began
singing. Prince Andrey stood at the window, talking to the ladies, and listened to her. In the
middle of a phrase, Prince Andrey ceased speaking, and felt suddenly a lump in his throat
from tears, the possibility of which he had never dreamed of in himself. He looked at Natasha
singing, and something new and blissful stirred in his soul. He was happy, and at the same
time he was sad. He certainly had nothing to weep about, but he was ready to weep. For
what? For his past love? For the little princess? For his lost illusions? For his hopes for the
future? Yes, and no. The chief thing which made him ready to weep was a sudden, vivid
sense of the fearful contrast between something infinitely great and illimitable existing in him,
and something limited and material, which he himself was, and even she was. This contrast
made his heart ache, and rejoiced him while she was singing.”
“One step across the dividing line, so like the one between the living and the dead and you
enter an unknown world of suffering and death. What will you find there? Who will be there?
There, just just beyond the field, that tree, that sunlit roof? No one knows, and yet you want to
know. You dread crossing that line, and yet you want to cross it. You know sooner or later you
will have to go across and find out what is there beyond it, just as you must inevitably found
out what lies beyond death. Yet here you are, fit and strong, carefree and excited, with men all
around you just the same- strong, excited and full of life.' This is what all men think when they
get sight of the enemy, or they feel it if they do not think it, and it is this feeling that gives a
special lustre and a delicious edge to the awareness of everything that is now happening.”
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